Notes from a Screenreader: Rethinking Dialogue
Photo via Go Into the Story. Dialogue is a necessary evil, according to legendary director Fred Zinnemann, and writers of spec scripts should print that out and tack it up over their monitors. It is the polar opposite of telling your story visually. So why do you need it at all? As director Kelly Reichardt...
READ MORENotes from a Screenreader: Penn & Tellering
Photo via Go Into the Story. Here’s a great magic trick. A magician carries a dollhouse onstage and places it on a table. He says it’s a haunted dollhouse. Every time he takes the cloth away after barely an instant, the haunted dollhouse has produced a fire in the fireplace or a bloody doll massacre or...
READ MORENotes from a Screenreader: Dialogorrhea
Photo via Go Into the Story. There are scripts about people doing things and there are scripts about people talking about things. One of them has a much better chance of making it past the first round of readers in a competition. Visualize the beat. What is the visual information in the scene? Do your...
READ MOREWeekly Roundup: Emmy Fever & a New ‘View’
//embed.gettyimages.com/embed/452006704?et=w-RuV0lIQX1QAJbad3H0SQ&sig=_CPqTlcGvLm6w0XkS71vYALBLi7vWoXJGMWw_yBMLso= It. Is. Emmy. Season! The full list of female nominees—plus, snubs and surprises. Amanda de Cadenet announces her new talk show Undone on Lifetime. It’s official: Everything at The View is coming up Rosie (O’Donnell) and they’re looking for new producers. Love or hate ‘em, script notes are invaluable for screenwriting success. New Oscar...
READ MORENotes from a Screenreader: Right Hook
Photo via Go Into the Story. A spec script with a real hook jumps right out of the pile. It’s the difference between an indestructible cyborg from the future relentlessly attempting to murder Sarah Connor and Sarah Connor, for instance, getting a message from the future that she should start taking self-defense classes while she...
READ MOREWeekly Roundup: ‘Tammy’ Is Here, Academy Invites Are Not
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READ MORENotes from a Screenreader: GOOOOAAAALLLL!
Photo via Go Into the Story. Many a spec script hits page 20 at a dead run, then pulls a hamstring and limps all the way through the second act while the writer chips away at what the story is actually about. It’s painfully slow to read. All of that should be resolved in rewrites,...
READ MORENotes from a Screenreader: Discuss
Photo via Go Into the Story. Discussions are the enemy of drama in a spec script. They are info swaps to give the reader story information, which is like putting stale bagels out for guests: unwelcoming and hard to swallow. It’s more accomplished work to compose images that do the same job. Crazy, Stupid, Love opens...
READ MORENotes from a Screenreader: Luggage Handling
Photo via Go Into the Story. Luggage handling is the awkward moment when characters have to take story time to account for their props. “Henderson! They’ve buried the bomb in the middle of the densest civilian population on the planet!” “Let’s go! I’ll pack the trunks in the jet.” This is an extreme example, obviously,...
READ MORENotes from a Screenreader: Loglines Done Wrong
Photo via Go Into the Story. Loglines are tough. They can lie about your story if you let them. This is how you do Indiana Jones wrong: In World War II, an archaeology professor gets a call about a powerful artifact that changes his life forever. This is Silver Linings Playbook done wrong: A violent...
READ MORENotes from a Screenreader: To Genre or Not to Genre
Photo via Go Into the Story. A drama screenplay is fine, but it’s sort of like prose in that it is defined by what it isn’t. It’s not funny, scary, sci-fi or action. In competitions, that’s not such a handicap, because you are paying to be read, but neither are you giving yourself all the...
READ MORENotes from a Screenreader: The Bad Blind Date
Photo via Go Into the Story. You have a blind date. Nothing to go on, just a name. You smile, you shake hands, and then without preamble, your date sits down and launches into a monologue of therapy-grade personal disclosure. They tell you what the weather was like and what they were wearing during an...
READ MORENotes from a Screenreader: Unpackable Hooks
Photo via Go Into the Story. Writer and director Timothy Cooper, an enthusiastically pragmatic teacher of professional screenwriting and past WIFTI Summit panelist, talks about the value of unpackable story concepts, which he defines as “rife with potential to anyone who hears it.” Perfect example: Inception. A team illegally breaks into a sleeper’s dreams to...
READ MORENotes from a Screenreader: Boo
Photo via Go Into the Story. Does your conflict pass The Haunting Test? You’re a ghost. A traveler from another dimension who can be neither seen nor heard by the people around you, not even the person you seem to be glued to, whom you are compelled to shadow. Always. You have no choice but...
READ MORENotes from a Screenreader: Speech Exhaustion
Photo via Go Into the Story. Speeches in early pages give readers creeping dread because they are weapons-grade tools and should not be brought out casually and waved around for piddly little tasks like exposition. Speeches put the brakes on. Is it more than three sentences long? Read it out loud. See how long it...
READ MOREWeekly Roundup: Disney’s Call for Writers & Broadway’s Gender Problem
Disney Channel launches a new screenwriting program. Hey, Broadway! Why weren’t any woman-written Broadway plays produced this season? Interview with Belle director Amma Asante (video) and Q&A with star GuGu Mbatha-Raw. Women (literally) rule at this year’s Cannes film festival. Fifteen of Time magazine’s “Top 100” are women in the arts. Happy 10th Anniversary, Mean Girls. #StopTryingToMakeFetchHappen
READ MORENotes from a Screenreader: The Same but What Now?
Photo via Go Into the Story. “The same but different” is the magic formula for a winning script. Does it mean anything or is it double speak for “I know it when I see it?” Patterns not formulas: Create familiar emotional patterns in new situations. The same is a recognizable tone with a recognizable build that...
READ MORENotes From a Screenreader: Mamet-ize It
Photo via Go Into the Story. THIS is the supreme last word on screenwriting from David Mamet. It is a memo from Mamet to his writing staff on The Unit, which you may or may not recall ran for 69 episodes between 2006 and 2009. It is glorious, true, funny, useful and brilliant. It’s not long....
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