WEEKLY ROUNDUP: BOARDROOMS, PINTEREST & WRITING BANKABLE SCRIPTS
Photo via TED Conference/Flickr We really need more women HERE in Hollywood. Women In Animation wants “50-50 by 2025.″ I think they’ll succeed. Transparent & Mad Men screenwriter Bridget Bedard got lucky–after LOTS of hard work. Next time you’re on Pinterest, check out this board & this one. What’s another 3 hours? Hmmm…, this “sell your screenplay” claim may actually...
READ MOREWEEKLY ROUNDUP: DRAMA’S QUEENS, LIFETIME’S NEW THEME.
Photo courtesy The Hollywood Reporter This dramatic actress roundtable is one of the most poignant. In case you missed it, here’s a preview of the 2015 Tony Awards performances. Women In Film is accepting applications for their 2015 Film Finishing Fund. Invaluable writing tips to help you become the “Script God” your stories need. Critics agree, Sarah...
READ MOREWEEKLY ROUNDUP: THE BROOKLYN MUSEUM, HOLLYWOOD SEXISM & WALL STREET
Erin Baiano for The New York Times History is made as Anne Pasternak becomes The Brooklyn Museum’s 1st female director. She’s baaack! Nikki Finke’s new website promises great fiction and proceeds to writers. “It’s an intense sickness.” Melissa McCarthy, Salma Hayek, Aishwarya Rai & Parker Posey discuss Hollywood’s sexism. Dear Writers, screencraft.org has screenwriting contests. Deadlines...
READ MOREWEEKLY ROUNDUP: WRITING TWEETING, DIRECTING, WINNING.
Meryl Streep funds an important screenwriting lab, NYWIFT will manage the process. What was Lars Von Trier & Thomas Vinterberg’s “Dogme 95″ and how did it impact women directors? The most informative article on effective Twitter usage I’ve read to date. #Awesome Showrunner Nahnatchka Khan discusses Fresh Off the Boat and The B—-. A “throwback” article with director Crystal Moselle about The Wolfpack. These (mostly...
READ MOREWEEKLY ROUNDUP:ROSIE LEAVES, S.EPATHA MERKERSON & LAVERNE COX JOIN NEW SHOWS.
[getty src=”462681638″ width=”406″ height=”594″] The View will lose a different Rosie than originally speculated. Brainstorming, outlining, first drafts and other tips for a successful screenwriting career! What’s next for Dakota Johnson after Fifty Shades of Grey? (VIDEO) Comedian Margaret Cho turned her pain into a successful comedy career. S. Epatha Merkerson joins Chicago Med and Laverne Cox...
READ MOREWeekly Roundup: The Awards, the Scripts, the Possibilities…
//embed.gettyimages.com/embed/461567942?et=HYbpAcvhQQ97gzNg0s1DHw&sig=eHwZlkhMcXKcGx5bKxYYA-gujHYdYPUDhvh1APThdp8=&caption=true A full range of Oscar nominees, shockers and snubs. In other awards news…women ruled The Golden Globes! Jane the Virgin star Gina Rodriguez is America’s new sweetheart. Still haven’t seen the movie? Read the award-nominated scripts instead. From Arrested Development to Archer, actress Jessica Walter keeps us laughing. Perhaps your film doesn’t need a screenplay? – KELLY GLOVER
READ MORE2014 Screenplays, Screenplays, Screenplays
It’s that time of the year again. The Award Season scripts are being post online by the studios for all to read and the 2014 Blacklist scripts are available for download. We wish more were written by women, so get reading and get writing!
READ MORENotes from a Screenreader: Hoarder Edition
Photo via Go Into the Story. A first draft is a hoarder house. It is piled full of things of great value to the writer, things that feel necessary and beautiful and valuable, or at least are too nice to throw away. The experience of the reader to the hoarder draft is, “Why are you...
READ MORENotes from a Screenreader: Pitch Me
Photo via Go Into the Story. Ninety seconds is more than enough time to pitch a well-defined story. The elements that make a story interesting and easy to envision, when stripped of less important trappings, can fit on an index card. Nowhere was this more apparent than at the Austin Film Festival Pitch Finale Party...
READ MORENotes from a Screenreader: Well, Obviously
Photo via Go Into the Story. The post “Writing Advice So Obvious It Gets Overlooked” covers the most fundamental of all story fundamentals (thanks to the marvelous writerlyn at Musings from a Young Hollywood Professional for reblogging this brilliance). It is advice that deserves a thorough looking over. Whose story is it? Very obvious, but...
READ MORENotes from a Screenreader: Bad Contractors Build Great Characters
Photo via Go Into the Story. Like badly built houses, when your characters suffer from faults in their very foundation they can get by just fine with good weather. But when conditions turn ugly, their weaknesses begin to show and the drama starts to happen. To make a really great character, think like a bad...
READ MOREWeekly Roundup: Fast-Talk, Facebook & an All-Female Sports Show
//embed.gettyimages.com/embed/456300878?et=rYxLIuy7SC9DdSt-oocWdg&sig=vzPpcyxoWIl9YZjbXGC_gH0qLfUEHtzRjkdpcCVd_DI= Funny, rapid-tongued Katie Lowes explains how to talk like a Gladiator. Mega-producers Alison Owen and Debra Hayward launch a “Monumental” new production company. Don’t unfriend anyone yet—Facebook and vampires may be the best thing for aspiring female directors. These practical screenwriting tips may help you find time to write. Despite its awful name, CBS’s new all-female sports show starts strong!...
READ MORENotes from a Screenreader: This Stake Is Undercooked
Photo via Go Into the Story. Stakes are the thing in the story that makes a reader care what happens. Your fun characters and snappy dialogue and careful plotting literally do not matter if nothing much will happen if the plan doesn’t come together. And the stakes can be anything, really, as long as they...
READ MORENotes from a Screenreader: Where Do I Begin?
Photo via Go Into the Story. Your story has a beginning, a middle and an end but they don’t necessarily have to appear in that order. A good beginning has lots of things happening in it, things that make the reader curious about what’s going on. Once the reader is curious, they are hooked. Don’t...
READ MORENotes from a Screenreader: Where’s Waldo?
Photo via Go Into the Story. Do you feel like you’re looking for your second act in a giant Where’s Waldo poster? You know it’s there somewhere, but so is everything else in the entire world. Efforts to find Waldo shouldn’t show in your final draft. It’s imperative for clarity that you don’t submit a...
READ MORENotes from a Screenreader: Don’t Whimper
Photo via Go Into the Story. Your ending needs a bang. Settling gently down to Fade Out from the end of Act Two does not an Act Three make. Don’t hold back. Act Three is a balloon you keep inflating until it explodes. Push it as far as it will go. Tie up loose ends...
READ MORENotes from a Screenreader: Size Matters
Photo via Go Into the Story. Your page count is the first thing that happens to a reader after your title. Somewhere in the 90s is ideal, but a good script at 110 is fine. How can you tell if you need 110? I will give you a thousand dollars for every page you can...
READ MORENotes from a Screenwriter: Entitlement
Photo via Go Into the Story. A good title tells a story for you, honing in on the theme and tone. When a reader scans a list of titles, a strong one puts them in an optimistic mood. Keep it short. A short title suggests that you know exactly what your story is. A long...
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