producing Archives - New York Women in Film & TelevisionNew York Women in Film & Television

Meet the New NYWIFT Member: Claire Read

Claire Read is a New York-based documentary filmmaker and producer known for her work on HBO series like Telemarketers and The Vow, as well as independent documentaries covering diverse subjects. Her journey into documentary filmmaking began with a high school project on a controversial NYC community center, now culminating in Penn F—ing Station, a documentary exploring the city's debate over its redevelopment. She crafts stories that blend emotional depth with intellectual engagement, focusing on authentic narratives and human connections. Continue reading to discover Claire's experience in filmmaking and learn more about her upcoming projects.

Meet the New NYWIFT Member: Willette Murphy Klausner

If you’ve seen a great Broadway show recently, chances are Willette Murphy Klausner had something to do with it. As the founder and owner of WMK Productions in Los Angeles she has produced or co-produced dozens of award-winning theatrical and film projects, including MJ the Musical, Hadestown, Stereophonic, The Wiz. Porgy and Bess, Three Mo’ Tenors, Caroline or Change and Cabaret, just to name a few. For film, she’s co-producing the documentary Liza, which just premiered at the Tribeca Festival. Previous films include Radium Girls and Wakefield with several film and TV projects in development. In 2022 she was awarded the Lifetime Achievement Award from the Drama League. She has served on the Boards of Directors of the Los Angeles Music Center and the Women in Film Foundation, is a member of the League of Professional Theatre Women, the National Women’s Forum, and NYWIFT. She is currently on the board of Coalition for African Americans in the Performing Arts.

NYWIFT @ Tribeca: In Conversation with Kristi Zea

NYWIFT member Kristi Zea, an acclaimed production designer, costume designer, producer and director has once again showcased her exceptional talent at the 2024 Tribeca Festival. Zea’s impressive career spans over three decades, with notable works including designing Martin Scorsese’s Goodfellas and Jonathan Demme’s The Silence of the Lambs. Her latest project, Daddio, directed by Christy Hall and starring Sean Penn and Dakota Johnson, shows her ability to create compelling visual narratives even in small places. With Daddio, Zea masterfully uses the confined space of a taxi to tell a powerful story, proving her enduring influence in the film industry.

Meet the New NYWIFT Member: Janet Hyojo Oh

Welcome to NYWIFT Janet Hyojo Oh! Janet Hyojo Oh is an independent producer and screenwriter with a passion for rom-coms and storytelling. Janet shares insights into her creative process, the impact of events she organizes for women in the arts, and overcoming challenges in her career. Janet emphasizes collaboration, kindness, and the importance of balance in the business of producing. She also reflects on winning her first screenplay award and offers advice to aspiring producers and screenwriters: embrace kindness, collaboration, and curiosity.

Meet the New NYWIFT Member: Alisa Lomax

Let’s give a warm welcome to Alisa Lomax! Based in Detroit, Alisa is an award-winning producer and director who is interested in providing a platform for characters who are in the midst of navigating hardships. Some of her most celebrated projects include Maya and Her Lover, Layla’s Girl, and the documentary When I Need to Smile, which centers on philanthropist and jazz label founder Gretchen Carhartt Valade. Alisa was one of just 13 Detroit writers to be selected as part of the Sundance Screenwriters Lab. Find out more about Alisa as we discuss her amazing 20+ year career trajectory, which includes her transition from working in corporate jobs to more artistic endeavors, and her current role in a digital arts program that aims to introduce the art of filmmaking to kids!

NYWIFT at Sundance: In Conversation with Katharina Otto-Bernstein

Since premiering and winning the Jury Prize in the 2022 Un Certain Regard section of the Cannes Film Festival (the first to do so from the Indian subcontinent), Joyland has moved audiences worldwide with its human portrayal of the limits of love in the face of patriarchy. The film follows the youngest son in a traditional Pakistani family as he takes a job as a backup dancer in a Bollywood-style burlesque, and quickly becomes infatuated with the strong-willed trans woman who runs the show. The film is both a loving portrait of the people of Lahore, Pakistan, and a painful depiction of how rigid traditional gender roles and repressed sexuality can have a ripple effect that harms the whole community. NYWIFT member Katharina Otto-Bernstein, who produced Joyland, spoke to us about discovering new artists through mentorship, political pushback on Joyland, and how Malala Yousafzai helped the film finally reach Pakistani audiences.

NYWIFT at Sundance: In Conversation with Valda Witt

Many children – and more than a few adults – dream of long-distance space exploration. But what about the real human toll of that kind of journey? The new documentary The Longest Goodbye, which debuted at the 2023 Sundance Film Festival, takes a poignant look at the fundamentals of day-to-day reality in space: the isolation, confinement, and lack of privacy and social contact. Executive producer Valda Witt spoke to us about the project, her childhood dreams of space travel, favorite moments making the film, and getting to know scientists and astronauts in a deeply personal way.

NYWIFT at Sundance: In Conversation with Annetta Marion

NYWIFT Advisory Board Member Annetta Marion produced Still: A Michael J. Fox Movie that is premiering at Sundance this month. The film incorporates documentary, archival and scripted elements to recount Fox’s story of personal and professional triumphs and travails in his own words. Annetta and Kathryn O'Kane spoke about the film that explores what happens when an incurable optimist confronts an incurable disease.

Meet the New NYWIFT Member: Hania Chima

Welcome, new NYWIFT member Hania Chima! We are so happy to introduce Hania, who has so much to offer our community. She is the producer and co-writer of Pakistan’s entry for the 2019 Oscars, Laal Kabootar, and co-founder of the production company Nehr Ghar Films. We’re thrilled to have her join New York Women in Film & Television and can't wait to see what she does next. Hania talked to us about getting to work with her childhood hero, writing and producing her first feature, and why the future is female.

NYWIFT at DOC NYC: In Conversation with Producer Cheryl Staurulakis

NYWIFT member Cheryl Staurulakis recognizes the power of documentary film to change hearts, minds, and even governmental policies – and it’s what drives her as a producer. Her latest film, Phyllis Ellis’s feature documentary Category: Woman, is a perfect example of Staurulakis’s commitment to social impact filmmaking. The film takes a hard look into the racist and sexist policies in global sports and the devastating personal consequences they have inflicted on women athletes around the world. Staurulakis spoke to us about her 2022 DOC NYC screening, racial and gender discrimination in sports, and how she hopes to save the world one documentary at a time.

Women Producers at the 2022 New York Film Festival

NYWIFT member Judith Davis offers snapshots from the 2022 New York Film Festival, focusing on three of the hottest films produced by women: Tár, Till, and The Inspection.

Meet the New NYWIFT Member: Ekaterina Korshunova

Let’s welcome new NYWIFT member Ekaterina Korshunova! Ekaterina (or Kate for short) attended Moscow’s RUDN University where she graduated with a degree in journalism. Kate currently works as a freelance social media coordinator and producer. She has filmed and produced promotional videos for many local businesses as well as major brands. She spoke to us about her move to the US, her teaching philosophy, and her dreams for the future.

Meet the New NYWIFT Member: Elizabeth Ramjit

Let’s give a warm NYWIFT welcome to new member Elizabeth Ramjit! Elizabeth is an accomplished film/video editor with 10 years of experience in film and tv production and advertising. Elizabeth loves bringing awareness to current events and pressing world issues, to inspire important conversations among her audience. She’s always interested in new opportunities to explore new avenues of content, and enjoys brining her unique perspective to her collaborators’ projects. Elizabeth spoke to us about what stories inspire her, her dreams for the future, and why she could be #YourFavoriteFemaleEditor.

NYWIFT @ Tribeca: In Conversation with Producer Su Kim

The 2022 Tribeca premiere "Sansón and Me" traces a young immigrant’s path from coastal Mexico to a life sentence for murder in California. The harrowing tale does not unfold in a traditional documentary format, but instead uses evocative recreations – many of them featuring members of Sansón’s own family as actors – to explore the meaning of a life fragmented by poverty, borders, and incarceration. We spoke to producer Su Kim about the team’s unusual, wildly creative, and ultimately deeply powerful approach to sharing Sansón’s story.

The Mole Agent: Highlights from the NYWIFT Goes to the Oscars Q&A with Maite Alberdi, Marcela Santibañez, Julie Goldman

The team behind The Mole Agent, Oscar-nominated for Best Documentary, discusses its powerful impact, and how they created a film both so visually stunning and rich with character that The New York Times review believed the film to be partly dramatized. It wasn’t!

NYWIFT Black History Month Spotlight: Zainab Ali

Happy Black History Month! At NYWIFT we are celebrating the Black creators and artists in our membership, while honoring Black culture & cinema throughout history. Today’s spotlight is on our member Zainab Ali, an award-winning producer of independent film with a background as a senior recruiter for major corporations who transitioned into filmmaking in her fifties. Zainab shares career highlights and her favorite inspirational figures.

Best Practice Advice for Targeting Corporate Sponsorship to Help Fund Your Film

Learning the ins and outs of corporate sponsorship for your film projects can seem daunting, but Kim Skildum-Reid lays out all best practice principles to help you create a compelling pitch.

Takeaways from Demystifying Film Delivery: What Every Producer Should Know

You are a producer and due to the pandemic your project – be it in development, pre-production, production or post stage – is on hold. What can you do now to make sure all the pieces are in place when the industry opens back up? Stacey Smith of CinePointe Advisors suggests preparing for delivery. It is a crucial, final step needed to ready a film for distribution and GET PAID! However, delivery is often an afterthought in financing agreements, production budgets and workflows.

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