NYWIFT’s Women’s Film Preservation Fund Receives Archivists Round Table Award
NYWIFT’s Women’s Film Preservation Fund (WFPF), which has supported the preservation of nearly 150 American-made films by and about women since 1995, received The Archivists Round Table of Metropolitan New York’s 2019 Outstanding Support of Archives award on October 21st.
READ MOREBelow the Line: A Cut Above – Jessie Maple
Jessie Maple is the first black woman to join the union of International Photographers of Motion Picture & Television (IATSE) in New York. Her book, How to Become a Union Camerawoman , is an instructional guide illustrating the obstacles that she endured to get into the union. It details the court case she initiated to fight discrimination after she became a member.
READ MOREBelow the Line: A Cut Above – Director of Photography Rachel Morrison
Cinematographer Rachel Morrison's arresting and haunting imagery has graced the screen in indies like Fruitvale Station, Dope and Mudbound. Most recently, she lensed the big budget feature Black Panther.
READ MOREBelow the Line: A Cut Above – Costume Designer Ruth E. Carter
Ruth E. Carter is an American costume designer (and NYWFT Designing Women honoree!) with an unparalleled ability to develop an authentic story through costume and character. And this year she became the first African American woman to win an Academy Award for costume design for her work in Black Panther.
READ MOREBelow the Line: A Cut Above – Production Designer Hannah Beachler
Production Designer Hannah Beachler created the iconic looks of "Creed," "Moonlight," and Beyonce's "Lemonade" before taking on the fictional world of Wakanda in "Black Panther," which won her a 2019 Academy Award. She is the first-ever African American - male or female - to take home that honor.
READ MOREBelow the Line: A Cut Above – Film Editor Joi McMillon
Joi McMillon made Oscar history in 2018 when she became the first African American woman nominated for Best Achievement in Film Editing for Moonlight. But the road to the Oscars wasn’t straight or smooth.
READ MOREBelow the Line: A Cut Above – Audio Engineer Ai-Ling Lee
This Women's History Month we celebrate women working below the line! Originally from Singapore, Ai-Ling Lee is the first Asian woman to be nominated for an Academy Award for sound editing. In 2016 she was nominated for sound editing and sound mixing for the modern musical La La Land.
READ MOREBelow the Line: A Cut Above – Costume Designer Edith Head
This Women’s History Month, we’re highlighting the oft unsung yet always vital contributions of those working below the line. Join NYWIFT blog contributors Kathryn O’Kane and Mellini Kantayya as they celebrate a few of the many women in history and making history—“Below the Line: A Cut Above.” We start with costume legend Edith Head.
READ MOREBlack Girl Magic in Film
It may seem Black Girl Magic in film is everywhere these days. But NYWIFT Board Member Leslie Fields-Cruz will share a secret with you: That “magic” isn’t really magic at all. It’s the result of more than a century of hard work, perseverance, and phenomenal endurance by black women media makers who’ve paved the way for a future that demands inclusivity, parity, and equal representation.
READ MOREOur Muse, Penny Marshall
In memory of Penny Marshall, who passed away this week at the age of 75, we take a look back at her hilarious and heartfelt speech from the 1994 NYWIFT Muse Awards.
READ MORETerry’s Picks: Life Lessons, Dream Team, Zero Weeks
Life Lessons: Be sure to read Manohla Dargis’ brilliant piece in The New York Times about what movies teach us about being a woman. She says: “Movies get into our bodies, making us howl and weep, while their narrative and visual patterns, their ideas and ideologies leave their imprint.” Representation matters. Dream Team: Thanks to...
READ MORETerry’s Picks: Giving Tuesday, Be Natural, Women Mentors
Giving Tuesday: Today is Giving Tuesday, and I hope you’ll consider making a donation to NYWIFT as part of your holiday spending to help support our 2018-19 programming season, which will include more than 40 professional development and training programs and 15+ screening events celebrating the achievements of women filmmakers. Plus, if you give through...
READ MORETerry’s Picks: Seven Women, Late Legend, M.I.A.Screening
Seven Women: This Wednesday and Thursday September 26th and 27th, Quad Cinema is having a special screening of Seven Women, Seven Sins, the groundbreaking project by seven legendary female indie film directors whichreceived support from the NYWIFT’s Women Film Preservation Fund. Directors Maxi Cohen and Bette Gordon will do a Q&A after the Wednesday screening. Late...
READ MORESeven Women Sevens Sins: An Exceptional Collaboration of ’80s Indie Women Directors
Made as part of series for German Television (ZDF) in 1986, Seven Women Seven Sins, proved to be an exceptional collaboration of 1980’s independent #DirectedByWomen cinema. Women's Film Preservation Fund co-chair Kirsten Larvick discusses the film's relevance in advance of its screening at The Quad on September 26th and 27th, 2018.
READ MORETerry’s Picks: Casting News, Women’s History, Boxed In
Casting News: Tony Award Nominee Eva Noblezada (Miss Saigon, Les Miserables) led the cast of Diane Paragas’ musical drama film Yellow Rose along with Tony Award Winner Lea Salonga (Once On This Island, Miss Saigon). The film, which wrapped production in Texas last month, received the NYWIFT Ravenal Foundation Feature Film Grant. Women’s History: This...
READ MORE#SummerHours Summer Reading: Women in Early Hollywood
Throughout history, and specifically film and television history, women have been early to identify and seize opportunity in emerging fields—only to be edged out of those fields, and their history, once they become mainstream. Mellini Kantayya shares four great reads about the women pioneers of early Hollywood.
READ MORECamerawoman Angela Murray Gibson Films Herself into History, 1921-1925: Marsha Gordon and Buckey Grimm
Angela Murray Gibson, a silent era filmmaker receives due attention at Orphan Film Symposium’s line-up this April 11th – 14th, 2018 at the Museum of Moving Image. That Ice Ticket (1921), a recent NYWIFT Women’s Film Preservation Fund and Kino Lorber preservation, will screen on April 13th as part of the presentation, Camerawoman Angela Murray Gibson Films Herself into History, 1921-1925. Here, its presenters Marsha Gordon and Buckey Grimm offer some insights into this distinguishing filmmaker and her broader mark on American cinema.
READ MORETrailblazing through the Decades: Gina Prince-Bythewood (2000s)
In 2000, writer, director, and past NYWIFT Writers Lab mentor Gina Prince-Bythewood blazed a trail with her film Love and Basketball. Not only was the film a critical and commercial success, it won the Humanitas Prize and an Independent Spirit Award for Best First Feature.
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