How to Decide Which Screenwriting Contests to Submit To
There are hundreds, if not thousands, of screenwriting competitions out there — so how do you decide which ones are worth your time and money? As the co-founder of Moonshot Initiative, a nonprofit that works toward gender equity in film and television, NYWIFT Member Katrina Medoff has been on the other side of the application process. Her team reads hundreds of submissions a year for the Moonshot Pilot Accelerator and their newest program, the Moonshot Feature Accelerator. They know that their applicants poured their time, talents, and energy into their scripts, and that every fellowship submission means putting more time and money into your career. So it’s important to carefully consider which labs and contests to prioritize. If you’re ready to submit your feature film screenplay or TV pilot script to screenwriting competitions, here’s how to determine which labs, fellowships, and contests would be a good fit.
READ MORE6 Tips for Hooking a Reader in the First Pages of Your Pilot
The first pages of your pilot need to be solid — as in, a representation of your very best work — and they need to establish us in the world succinctly. Last year, NYWIFT Member and WWFC Co-Founder Katrina Medoff read hundreds of pilot scripts submitted for Women’s Weekend Film Challenge’s inaugural pilot accelerator, and she saw some general themes emerge for how to make the opening of your pilot stand out. Read on for her six tips, and learn how to apply to the next WWFC pilot accelerator.
READ MORE5 Exercises for Strengthening Your Pilot Script’s Cold Open
The first scenes of your pilot need to capture the reader’s attention, because you never know how far a busy Hollywood exec (or their assistant) will read before losing interest. You need to introduce your characters and story, show off your writing skills, and give the reader something they haven’t seen before — it’s a lot of pressure! Women’s Weekend Film Challenge Co-Founder NYWIFT Member Katrina Medoff offers some exercises to make those crucial first pages shine.
READ MOREWWFC selects 8 fellows for inaugural pilot accelerator
Women's Weekend Film Challenge (WWFC) has announced the eight fellows chosen for its inaugural pilot accelerator. These eight emerging writers were selected out of 723 applicants.
READ MOREWomen’s Weekend Film Challenge Launches Pilot Accelerator
This October, six to eight emerging TV writers — selected out of hundreds of expected applicants — will have the opportunity to pitch to studios and production companies including HBO, HBO Max, Warner Horizon Television, Jax Media, Berlanti Productions, Broadway Video, Element Pictures, Fabel Entertainment, Tornante and more as part of Women's Weekend Film Challenge’s (WWFC) inaugural pilot accelerator program.
READ MOREOscars, Take Note: Women’s Weekend Film Challenge Arrives in LA
On January 13, 2020, the same day that the 2020 Oscars nominations were released — with not a single woman nominated for Best Director for the 87th time in 92 years — the founders of Women’s Weekend Film Challenge (WWFC) opened up applications for their first Los Angeles-based event to advance women in the film industry. The organization’s goals are to provide an intensive networking opportunity for female filmmakers while telling women’s stories on screen. WWFC founders say that the reason so many women apply to the challenge is because they know that the film industry revolves around connections — and WWFC provides the perfect opportunity to make them. Co-founder (and NYWIFT member) Katrina Medoff explains why the group is more relevant than ever.
READ MOREGaia Visnar on channeling her own search for home into her character in The Basis of Intimacy
NYWIFT member Katrina Medoff spoke with fellow member Gaia Visnar, an actor and producer for the short film The Basis of Intimacy, which was made by a female-driven and largely international crew. They spoke about the power of a silent film and what conversations Visnar hopes to spark with the film.
READ MOREMisha Calvert on creating her relatable dating web series Tinder is the Night
NYWIFT member Katrina Medoff speaks to fellow member Misha Calvert about creating, executive producing and starring in her new series Tinder is the Night, which explores the joys - and horrors - of online dating.
READ MOREHeather Taylor on Crowdfunding for Pay to Stay and the Importance of Onscreen Diversity
"I want to have representation across different sexualities and different races in my films because that is the world I see when I walk down the streets of New York," says NYWIFT member Heather Taylor. Katrina Medoff sat down with Taylor to talk diversity in filmmaking (both onscreen and off) as her crowdfunding campaign for her horror short Pay to Stay draws to a close.
READ MOREThe Ask for Jane Filmmakers on Telling a Little-Known Story from Women’s History
When NYWIFT member Cait Johnston first heard about the Jane Collective — a real-life group of women who helped others get abortions before Roe v. Wade — at a NYWIFT screening, she knew it was a story she had to tell. She teamed up with fellow member Rachel Carey, a screenwriter and director she know through a NYC theater company called The Shelter, to create Ask for Jane, a narrative feature film that they are currently crowdfunding for on Seed&Spark.
READ MORE11 Things I Learned While Producing My First Short Film
Actor and writer Katrina Medoff took on a third role - producer - for the first time with the short film Lovestuck, which premieres Sunday, March 19th at the Queens World Film Festival. She shares her top takeaways from the experience.
READ MOREMeet Kahane Cooperman, the Director of Oscar-nominated Short Doc Joe’s Violin
Director and producer Kahane Cooperman discusses the inspiration for her short documentary Joe's Violin, her Oscar nomination, and the support she received from New York Women in Film & Television.
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