Katie Chambers, Author at New York Women in Film & Television - Page 3 of 7New York Women in Film & Television

Netflix boards Black Public Media’s PitchBLACK pitching forum and Awards honoring Yoruba Richen

Black Public Media (BPM) will hold its sixth PitchBLACK Forum — the largest pitch competition for Black, independent filmmakers and creative technologists in the United States — on April 25 and 26. Winners of up to $150,000 in project funding for new documentary filmmaking and immersive media projects will be announced at the PitchBLACK Awards on April 27, honoring award-winning filmmaker and educator Yoruba Richen and emceed by Baltimore-based comedian Sir Alex. PitchBLACK and the PitchBLACK Awards will take place at The Green Space in Manhattan.

Meet the New NYWIFT Member: Eunice Levis

Welcome to NYWIFT, Eunice Levis! Writer and director Eunice Levis is a first-generation Dominican American from the Bronx, New York. Eunice's work focuses on genre-bending stories that combine her love of horror, sci-fi, thriller, and fantasy, often through a diasporic lens. She seeks to disrupt and challenge dominant narratives around technology, race, gender, history, and diaspora identity by altering the stories we tell about them. Eunice spoke to us about her early inspirations, her latest work, and how genre stories offer a unique opportunity to challenge the status quo.

NYWIFT at Sundance: In Conversation with Jess Jacobs

In director Tracy Droz Tragos feature documentary Plan C, a hidden grassroots organization doggedly fights to expand access to abortion pills across the United States, keeping hope alive during a global pandemic and the fall of Roe v. Wade. With abortion restrictions and bans going into effect, Francine Coeytaux and her team of providers established Plan C — a grassroots organization dedicated to expanding access to medication abortion. NYWIFT member Jess Jacobs, the film’s executive producer, has a career-long history of activism – including work with the Plan C organization before the movie was even made! She spoke to us about Plan C’s Sundance premiere, her passion for reproductive justice, and the power of community.

NYWIFT at Sundance: In Conversation with Katharina Otto-Bernstein

Since premiering and winning the Jury Prize in the 2022 Un Certain Regard section of the Cannes Film Festival (the first to do so from the Indian subcontinent), Joyland has moved audiences worldwide with its human portrayal of the limits of love in the face of patriarchy. The film follows the youngest son in a traditional Pakistani family as he takes a job as a backup dancer in a Bollywood-style burlesque, and quickly becomes infatuated with the strong-willed trans woman who runs the show. The film is both a loving portrait of the people of Lahore, Pakistan, and a painful depiction of how rigid traditional gender roles and repressed sexuality can have a ripple effect that harms the whole community. NYWIFT member Katharina Otto-Bernstein, who produced Joyland, spoke to us about discovering new artists through mentorship, political pushback on Joyland, and how Malala Yousafzai helped the film finally reach Pakistani audiences.

NYWIFT at Sundance: In Conversation with Liz Sargent

In the 2023 Sundance Film Festival short film Take Me Home, a cognitively disabled woman and her estranged sister must learn to communicate in order to move forward after their mother’s death. It captures of a moment of terror experienced by so many siblings of those with disabilities, when they are suddenly responsible for making a plan for a loved one who cannot live on their own, potentially upending both their lives as they also work through their grief. For writer and director NYWIFT member Liz Sargent, the story hits close to home. And she cast her own mother and younger sister to play versions of themselves. Sargent spoke to us about finding support in her identity as a sibling guardian, beautiful moments working on set with her family, and her joyous Sundance experience.

NYWIFT at Sundance: In Conversation with Valda Witt

Many children – and more than a few adults – dream of long-distance space exploration. But what about the real human toll of that kind of journey? The new documentary The Longest Goodbye, which debuted at the 2023 Sundance Film Festival, takes a poignant look at the fundamentals of day-to-day reality in space: the isolation, confinement, and lack of privacy and social contact. Executive producer Valda Witt spoke to us about the project, her childhood dreams of space travel, favorite moments making the film, and getting to know scientists and astronauts in a deeply personal way.

NYWIFT at Sundance: In Conversation with Caitlin Gold

NYWIFT member Caitlin Gold is the Co-Founder and Co-Head of Film, a private equity fund dedicated to financing narrative and documentary films directed by women. The fund’s tagline is “Films by women make more money, but Hollywood isn’t making them….” Thanks to Gold and her colleagues, that very well may change! Their most recent feature is the Australian film Shayda, which premiered at the 2023 Sundance Film Festival in the World Dramatic Competition and won that category’s Audience Award. Gold spoke to us about Shayda’s path to the screen, funding work by women, and what’s next on her horizon.

Meet the New NYWIFT Member: Susan Chau

Welcome to NYWIFT, Susan Chau! Chau is a New York-based director, production designer, and art director working in film and branded content. She received her MFA in film production at NYU Tisch School of the Arts. Her film Josephine, developed while at NYU, has traveled the festival circuit and was supported by Panavision, which awarded the project The New Filmmaker Grant. Most recently, Chau worked with Vox Media and Apartment Therapy. She spoke to us about her inspirations, favorite projects, and her new digital zine for women who love film!

NYWIFT at DOC NYC: In Conversation with Producer Cheryl Staurulakis

NYWIFT member Cheryl Staurulakis recognizes the power of documentary film to change hearts, minds, and even governmental policies – and it’s what drives her as a producer. Her latest film, Phyllis Ellis’s feature documentary Category: Woman, is a perfect example of Staurulakis’s commitment to social impact filmmaking. The film takes a hard look into the racist and sexist policies in global sports and the devastating personal consequences they have inflicted on women athletes around the world. Staurulakis spoke to us about her 2022 DOC NYC screening, racial and gender discrimination in sports, and how she hopes to save the world one documentary at a time.

NYWIFT at DOC NYC: In Conversation with Filmmaker and Journalist Amelia Deschamps

NYWIFT member Amelia Deschamps is a journalist, documentary filmmaker and TV/Radio producer from the Dominican Republic with more than 20 years of experience. Her short film In Search of the Blue Heart made its world premiere at the 2022 DOC NYC Festival. The film follows Daniel Quezada who, after 32 years of working in the larimar mines of the Dominican Republic, seeks to make this his last extraction to retire and dedicate his life to the stone trade. Deschamps spoke to us about filming in the depths of the larimar mines, her world premiere, and her transition into documentary filmmaking.

NYWIFT at DOC NYC: In Conversation with Filmmaker Dawn Porter

NYWIFT Member Dawn Porter’s Cirque du Soleil: Without a Net offers a never-before-seen look behind the curtain of the world-famous circus extravaganza, with an approach that is equally intimate and epic in scale. When Cirque du Soleil moves to reboot its flagship production, "O," more than a year after an abrupt global shutdown, both performers and crew members face uncertainty as they work to return to their world-class standards in time for the (re)opening night curtain in Las Vegas. The film had its world premiere as a Centerpiece film at the 2022 DOC NYC Festival. Porter sat down with us to discuss her unique approach to this story, and how these high-flying artists can offer unique insight into our post-pandemic world.

NYWIFT at DOC NYC: In Conversation with Filmmaker Sascha Just

NYWIFT member Sascha Just directed and produced Ellis, the first feature-length documentary about the late legendary New Orleans pianist and educator, Ellis Marsalis, Jr. Marsalis composed and performed major works of modern jazz infused with a uniquely New Orleans touch. Just spoke to us about all the ways in which jazz has influenced her work, getting to know a creative legend, and her DOC NYC premiere.

NYWIFT at DOC NYC: In Conversation with Filmmaker Fredgy Noël

In the documentary short The House of LaBeija, directed and produced by NYWIFT member Fredgy Noël, we meet the eponymous prominent ballroom family and safe haven for transgender women, queer people, and those in need of community. Over the course of 10 minutes, several members of the house dance, vogue, and celebrate their identities across a strikingly glamorous mansion that seems to be an embodiment of their safe harbor. Fredgy Noël spoke to us about ballroom culture, creative inspirations, and what’s next on her horizon.

NYWIFT at DOC NYC: In Conversation with Editor Jill Woodward

NYWIFT member Jill Woodward edited the documentary 1946: The Mistranslation that Shifted a Culture, which won the Audience Award at DOC NYC 2022. In this deeply personal tale, a gay seminary scholar and a straight activist, seeking to uncover the origins of the rabid homophobia of the conservative church, make a shocking discovery: an erroneous translation of the term “homosexual” in the Bible in 1946 that has been weaponized against the LGBTQIA+ community ever since. Woodward spoke to us about the editing process, what she learned along the way, and which types of projects excite her the most.

NYWIFT Member Spotlight: Arlette Thomas-Fletcher

NYWIFT member Arlette Thomas-Fletcher is a multi-talented filmmaker and production executive. She has handled every creative and technical aspect of media production during her decades-long career, writing, directing, and producing her own projects and those of others. Arlette is a published author and has several books on Amazon, including her children’s book Dreamer’s Journey, which was just released. She is currently working on an animated series called The Cat Faced Cat.

The Ecuadorian Film Festival in New York Announces Lineup

Maravilla, the New York-based organization dedicated to raising awareness of Latin America through films and the arts, announces its seventh edition of the Ecuadorian Film Festival in New York (EFFNY), with the support of media partner Telemundo and includes Queens Museum, Nuyorican Poets Café, the Barrymore Film Center, and fiscal sponsor New York Women and Film & TV.

Meet the New NYWIFT Member: Alfreda Howard

Welcome to NYWIFT, hair & makeup artist Alfreda Howard! Fre Howard is the proud owner of Faces By Fre, LLC, Makeup Artistry and is on the Board of Directors of Philadelphia WIFT. Her most recent credits include Makeup Department Head for Netflix’s "Free Meek", Season 13 of "Mystery Science Theatre 3000," and national commercials including a Smartwater spot with Pete Davidson. She has also designed makeup and wigs for several operas! Howard spoke to us about special effects makeup, advocacy & education, and how the pandemic shaped her career.

Meet the New NYWIFT Member: Fay Gartenberg

Let’s give a warm NYWIFT welcome to new member Fay Gartenberg! Gartenberg is an Assistant Editor and a member of the Motion Picture Editor's Guild (IATSE Local 700). Their projects span across narrative film, documentary film, scripted television, and finishing. Prior to working in the film industry, they provided video therapy for patients and families at Mount Sinai Kravis Children’s Hospital. Gartenberg talked to us about their favorite projects, latest binge-watch recommendations, and approach to work/life balance.

Posts by: Katie Chambers