— KELLY GLOVER
Lake Bell’s In a World, which she also stars in.
Pinterest page and Twitchfilm.com list that nail 2013 women’s filmmaking.
Academy President Cheryl Boone Isaacs on the refreshing direction the organization is taking.
Yet another example that bad publicity does exist.
Lawyer Lisa Callif answers 4 important questions from indie filmmakers.
New York Film Society Executive Director Rose Kuo exits.
‘Tis the season to get “pumped” again.
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Meet the New NYWIFT Member: Amanda Deering Jones
Welcome to NYWIFT, Amanda Deering Jones! Amanda Deering Jones is the director of the new short film Little Mother Lies. She is also the Producer of the Academy Award-nominated animated short film Borrowed Time. She has over 20 years of experience working with Dreamworks Animation and Blue Sky Studios and is currently at Pixar. Her career began in Cooperstown, NY, as House Manager at Glimmerglass Opera before transitioning to film. Amanda is a zero-waste advocate and a published writer for the Producer’s Guild Magazine. She is an active member of the Producers Guild of America, Women in Film, Women in Animation, a Governor of the Emmy’s Northwest Chapter Board, and now a NYWIFT member. Amanda discusses her theatrical roots, getting into animation (without drawing!), and how she creates work that elevates our thinking and highlights the complexities of being human!
READ MOREMeet the New NYWIFT Member: Rachel Cheung
Welcome to NYWIFT, Rachel Cheung! Rachel is a dynamic writer and producer born and raised in New York City and Long Island with Chinese and Irish roots. With a BFA in Film and Television from NYU, she has honed her craft through diverse experiences, including roles as an assistant to the President of the Motion Picture Academy of Arts and Sciences and at WME in the Brand Partnerships department. Rachel's background enriches her unique perspective in the industry, driving her storytelling prowess. Get to know her in our latest interview!
READ MORENYWIFT at Sundance: In Conversation with Katharina Otto-Bernstein
Since premiering and winning the Jury Prize in the 2022 Un Certain Regard section of the Cannes Film Festival (the first to do so from the Indian subcontinent), Joyland has moved audiences worldwide with its human portrayal of the limits of love in the face of patriarchy. The film follows the youngest son in a traditional Pakistani family as he takes a job as a backup dancer in a Bollywood-style burlesque, and quickly becomes infatuated with the strong-willed trans woman who runs the show. The film is both a loving portrait of the people of Lahore, Pakistan, and a painful depiction of how rigid traditional gender roles and repressed sexuality can have a ripple effect that harms the whole community. NYWIFT member Katharina Otto-Bernstein, who produced Joyland, spoke to us about discovering new artists through mentorship, political pushback on Joyland, and how Malala Yousafzai helped the film finally reach Pakistani audiences.
READ MOREMeet the New NYWIFT Member: Hania Chima
Welcome, new NYWIFT member Hania Chima! We are so happy to introduce Hania, who has so much to offer our community. She is the producer and co-writer of Pakistan’s entry for the 2019 Oscars, Laal Kabootar, and co-founder of the production company Nehr Ghar Films. We’re thrilled to have her join New York Women in Film & Television and can't wait to see what she does next. Hania talked to us about getting to work with her childhood hero, writing and producing her first feature, and why the future is female.
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