Photo credit: Daily News.
After 35+ years, she’s leaving.
“Well, she’s too Asian,” NYWIFT Muse Award honoree Lucy Liu on racism.
Lena, there’s a new It girl on your heels.
Rodham is the hottest script in Hollywood. Hillary always wins!
Only 1 female director? Cannes you believe this?!
From “the block” to CCO, Jennifer Lopez is moving in the right direction.
R.I.P., Dr. Joyce Brothers
— KELLY GLOVER
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There are hundreds, if not thousands, of screenwriting competitions out there — so how do you decide which ones are worth your time and money? As the co-founder of Moonshot Initiative, a nonprofit that works toward gender equity in film and television, NYWIFT Member Katrina Medoff has been on the other side of the application process. Her team reads hundreds of submissions a year for the Moonshot Pilot Accelerator and their newest program, the Moonshot Feature Accelerator. They know that their applicants poured their time, talents, and energy into their scripts, and that every fellowship submission means putting more time and money into your career. So it’s important to carefully consider which labs and contests to prioritize. If you’re ready to submit your feature film screenplay or TV pilot script to screenwriting competitions, here’s how to determine which labs, fellowships, and contests would be a good fit.
READ MOREMeet the New NYWIFT Member: Val Dowd
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