Reed Morano: Congrats to The Handmaid’s Tale director Reed Morano, the first woman to win for the Emmy for drama series directing in 22 years.
Lena Waithe: Kudos to Lena Waithe, who is the first black woman to win an Emmy for best comedy writing for her spectacular Master of None episode, “Thanksgiving.” (Our own Kathryn O’Kane praised the episode this summer as part of this blog’s #SummerPicks!)
Silent Revival: The New York Times makes an interesting point, positing that silent film has made a comeback as more and more users watch videos without sound in their social media feeds. If you’re interested in seeing silent films from the pre-Facebook days, several have been preserved by our Women’s Film Preservation Fund. Most of the WFPF’s 100+ preservations are available in our offices for viewing. Check out the full list on our website.
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Welcome to NYWIFT, Eunice Levis! Writer and director Eunice Levis is a first-generation Dominican American from the Bronx, New York. Eunice's work focuses on genre-bending stories that combine her love of horror, sci-fi, thriller, and fantasy, often through a diasporic lens. She seeks to disrupt and challenge dominant narratives around technology, race, gender, history, and diaspora identity by altering the stories we tell about them. Eunice spoke to us about her early inspirations, her latest work, and how genre stories offer a unique opportunity to challenge the status quo.
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Since premiering and winning the Jury Prize in the 2022 Un Certain Regard section of the Cannes Film Festival (the first to do so from the Indian subcontinent), Joyland has moved audiences worldwide with its human portrayal of the limits of love in the face of patriarchy. The film follows the youngest son in a traditional Pakistani family as he takes a job as a backup dancer in a Bollywood-style burlesque, and quickly becomes infatuated with the strong-willed trans woman who runs the show. The film is both a loving portrait of the people of Lahore, Pakistan, and a painful depiction of how rigid traditional gender roles and repressed sexuality can have a ripple effect that harms the whole community. NYWIFT member Katharina Otto-Bernstein, who produced Joyland, spoke to us about discovering new artists through mentorship, political pushback on Joyland, and how Malala Yousafzai helped the film finally reach Pakistani audiences.
READ MOREWomen Write Now: 2nd Year at Sundance Celebrating Women Writers
Developed in partnership with Sundance Institute and Founded by Hartbeat CEO Thai Randolph and Head of Film Candice Wilson Cherry, WOMEN WRITE NOW is a comedic writing fellowship designed to champion the next generation of Black women in comedy through mentorship, advocacy, production, and exhibition. Now in its second year, this year’s fellowship brought in three emerging writers, Mayanna Berrin, Kianna Butler Jabangwe, and Danielle Solomon to develop and produce their comedic short scripts under the guidance of some of the most influential Black women in comedy. The resulting projects were then brought into production by Hartbeat studios. Cherry and the writers spoke to us about their experience.
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