NYWIFT Blog

Meet the New NYWIFT Member: Bella Pechaty

By Paige Hapeman

We are pleased to welcome new NYWIFT member, Isabella (Bella) Pechaty!

Bella Pechaty is a young professional working in freelance film journalism programming. She has worked at a number of arts nonprofits, independent publications, and in film publicity. She is interested in pursuing a career in film PR, creative development, and film criticism. She holds a BA in Film Studies from Barnard College of Columbia University, and is currently based in New York City.

Continue reading to learn more about Bella and her creative journey!

New NYWIFT Member Isabella Pechaty (image courtesy of Isabella Pechaty)

 

Tell us about your creative journey so far.

My creative journey is at its beginning! I got to hone my writing skills and interests a lot while in school, taking classes on film history and theory, screenwriting, and various filmmaking workshops. I’ve also spent a fair share of time on sets in the city, as PA or AD, and helping friends get their projects made.

 

How did you come across NYWIFT and what about being a member are you most looking forward to?

I encountered NYWIFT while speaking with people whose careers I aspire to and became interested in what it had offered them. I was able to join through the Next Wave Membership. I’m still early in my career, so I’m most looking forward to learning from other members! The film industry is changing so much, and I want to know more about where my abilities and interests will fit in best.

 

What inspired you to pursue a degree in Film Studies at Barnard?

Barnard has always had a talented community of alumni working in drama and entertainment. I chose to attend because of the many writers and filmmakers that I admired who had come from there, and because of the Athena Film Festival itself.

Barnard and Columbia take a more academic approach to teaching film, but I think there’s such a benefit to approaching it from a liberal arts background. It gives you an appetite for and an understanding of the many mediums that a film can draw from – visual arts, history, philosophy, psychology, and music. I’m so grateful for the foundation it gave me.

 

Bella backstage during a shoot (image courtesy of Isabella Pechaty) 

 

You are a Postbaccalaureate Fellow for the Athena Film Festival. How did you come across this opportunity and what has your experience been like in this position so far?

The Post-Bacc Fellowship is a valuable opportunity that the festival offers to recent graduates, allowing you to get hands-on film programming and festival operations experience. I’ve found programming and curation to be super rewarding, and there’s a magical quality to making a live event happen.

I enjoy screening and programming short films the most. They’re an often slept-on section of festivals, but include some of the most original, boundary-pushing work out there. Through the fellowship, I’ve had the opportunity to program a short film block for the 2024 festival, to attend Sundance, Gotham Week, and so many other memorable experiences.

 

Bella at Sundance 2024 (image courtesy of Isabella Pechaty) 

 

What sparked your interest in film criticism and how do you hope to continue to integrate this into your career?

I was always interested in journalism but was specifically attracted to how film and cultural critics have a closer relationship with readers. The lines of objectivity have to be blurred when you discuss art, and the writer’s identity factors in heavily. I like that. I like the dialogue it creates between the writer, reader, and subject. My favorite critics integrate their own lives into their work in this way.

Alongside what I was learning in class, I was also heavily plugged into online discourse, which made me interested in what film criticism will look like in the digital and information age. The Internet has the potential to fully democratize film journalism or overwhelm it entirely. It’s a concept that I think will be increasingly prevalent, and one I hope to continue writing about.

 

How do you decide which films you would like to write a review for?

I definitely have my favorite genres – horror, science fiction, documentary, and international films. With how much content and criticism is out there, I like to choose films that will be tied to current discourse and intertwine it with political and social life. I think a piece of criticism is most useful when it helps us name larger cultural movements. The speed at which information travels now is incredible, and we can make more direct connections between our media and our world than ever before.

 

Bella at the 2024 Athena Film Festival (image courtesy of Isabella Pechaty) 

 

What are some of your career aspirations? What are you most excited about with upcoming projects?

In the short term, I plan on improving my writing and growing my connections! In the future, I would like to be a contributing critic to a film publication (or whatever those writing roles will look like in the future), and possibly teaching and programming for festivals and art-house theaters. I’m planning on always being a person who enjoys writing about films, and talking about them too much with people who feel the same.

 

Connect with Bella Pechaty on LinkedIn, on Instagram at @bella_pechaty, and on Letterboxd at @bella_pechaty.

PUBLISHED BY

Paige Hapeman

Paige Hapeman Paige Hapeman moved to NYC after graduating from Lehigh University in 2019 and began her corporate career as a consultant. Ready to get back to her roots, she traded in her powerpoints and presentations for scripts and screenplays and began pursuing acting full time in 2022. She recently had her NYC theatre debut with the new play Someone ExtraordinariX. Paige’s recent film credits include Before We Begin, and First Fall. Paige completed the summer intensive with The American Academy of Dramatic Arts in 2023 and studies with The Barrow Group and Second City.

View all posts by Paige Hapeman

Comments are closed

Related Posts

NYWIFT at Tribeca 2025: In Conversation with Victoria Hill

Victoria Hill is no stranger to creating cinematic magic, and her latest project, The Best You Can, premiering at the 2025 Tribeca Festival, is yet another example of her storytelling prowess. As lead producer of and actor in the narrative spotlight film — starring real-life couple Kevin Bacon and Kyra Sedgwick — Hill brings a deeply human story to life, exploring connection, loneliness, and unexpected friendship in midlife. NYWIFT Board Member Gretchen McGowan is one of the film’s executive producers. “When Victoria Hill and Andrew Mann brought Michael Weithorn’s script to us, I thought: we’re all ready for Kyra Sedgwick and Kevin Bacon to appear on the screen together again. This is something the world could use right about now,” McGowan said in a NYWIFT announcement of member projects at Tribeca. With a stellar career that spans producing, acting, and writing across internationally acclaimed films like First Reformed, The Chaperone, and The Secrets We Keep, Hill’s dedication to complex, character-driven stories continues to shine. In this exclusive NYWIFT interview, Hill shares insights into filming on location in NYC, collaborating with industry heavyweights, and her mission to amplify women’s voices through Fibonacci Films.

READ MORE

Tribeca Festival 2025: Celebrating Stories, Icons, and Impact with NYWIFT

With this article, our coverage of the 2025 Tribeca Festival comes to a close — and what an unforgettable experience it has been. NYWIFT members LaKisa Renee and Tammy Reese had the incredible opportunity to represent the organization on the ground, capturing exclusive red carpet moments, world premieres, and powerful conversations highlighting the festival’s spirit of storytelling, advocacy, and artistic excellence. One of the most moving moments came when EGOT icon and past NYWIFT Muse Honoree Whoopi Goldberg gave a heartfelt shoutout to New York Women in Film & Television. Her support meant the world to our team. 

READ MORE

Meet the New NYWIFT Member: Hayley Pace

Today, we’re thrilled to shine a spotlight on new NYWIFT member Hayley Pace, an award-winning production designer and actor whose unique blend of skills and passions continues to inspire us! Hayley Pace hails from Toronto, Ontario. They are known for their work on Schitt’s Creek (CBC), In The Dark (CW), and The Expanse (Amazon Prime). In addition to their on-screen work, Hayley has self-produced original projects through their experimental marching band theatre company, The Teeny Tiny Music Show, and has designed for numerous film, TV, and theatre productions across Canada. A graduate of the Stella Adler Studio of Acting and York University’s BFA in Devised Theatre & Design, Hayley brings a dynamic and multidisciplinary approach to their artistry. We caught up with Hayley to discuss their career, their creative journey, and what brought them to NYWIFT.

READ MORE

NYWIFT at the 2025 Tribeca Festival: Music Legends, Maternal Power, and Unapologetic Truths

The 2025 Tribeca Festival may be in the rearview, but the stories told, the icons celebrated, and the bold truths shared are still echoing through the industry and NYWIFT was proud to be part of the magic. This year, NYWIFT’s own LaKisa Renee and Tammy Reese hit the red carpet to cover several of the festival’s standout spotlight documentary premieres, each of which celebrated trailblazers who transformed their personal journeys into global movements. From ’80s pop icons to maternal rights warriors and queer faith leaders, our coverage captured the heart, soul, and grit of storytelling at its finest.

READ MORE
JOIN OUR NEWSLETTER
css.php