By Janine McGoldrick
Have you thought about using corporate sponsorship to help raise funds for your independent narrative or documentary film? No? Well you are probably not alone. Many independent filmmakers, and industry panels, seem to focus mainly on crowdfunding and financial grants as sources of revenue either because they are either unaware of sponsorship opportunities, or feel having corporate sponsorship means they have “sold out.” That is far from true.
Recently, I had the pleasure of talking about his very topic with Kim Skildum-Reid, best-selling author of The Sponsorship Seeker’s Toolkit 4th Edition, on the latest episode of NYWIFT’s Women Crush Wednesdays podcast.

Kim Skildum-Reid
Kim is unquestionably one of the sponsorship industry’s most influential thought leaders with over 29 years of experience. She is one of the professionals credited with defining and setting the best practice benchmark for the sponsorship industry and provides content and commentary to business and industry media around the world, including Harvard Business Review, CNN, CNBC, Bloomberg, Marketing News among many more.
Corporate sponsorship is different than product placement. In basic terms, it is a deeper and longer partnership as a company provides payment in return for a series of actionable items that will increase awareness for their brand in ways that go beyond just a 30 second appearance in the film.
Learning the ins and outs of corporate sponsorship can seem daunting, but Kim lays out all best practice principles to help you create a compelling pitch. Below are some quick highlights, but be sure to listen to the podcast episode to gain more great insight. A link is featured below.
- Start thinking about incorporating sponsorship into your project during development. It’s much harder to provide leverage-able services to a company if you are at the end of your production.
- Target corporations that are an organic fit with your film’s theme or topic. If keeping kosher is a chief trait of your main character, don’t put Oscar Mayer on your list. But, if your documentary profiles the inner workings of the world’s largest airport, then definitely give Delta Airlines a call.
- Do your research. You need to know the sponsors business, objectives, priorities and audience before you pitch.
- Be creative! Corporations are looking for ways to leverage their brand in meaningful and impactful ways. You need to provide them with unique opportunities that go beyond providing a few tickets to the premiere and logo slapping.
- Providing multiple sponsorship levels to pick from for your film project is outdated. Don’t do it. Tailor your ideas to each company you target and include the appropriate monetary value for that proposal. They will take your seriously and be willing to negotiate.
Listen here to my full interview with Kim and be sure to subscribe so you don’t miss upcoming episodes! If you have an interview suggestion, a project you’d like to spotlight or a great story to tell, you can contact the Women Crush Wednesdays podcast team at communications@nywift.org, we’d love to hear from you!
Go to https://powersponsorship.com/ for more key learnings from Kim Skildum-Reid her informative guide The Sponsorship Seeker’s Toolkit 4th Edition.
Related Posts
Cracking the Code on Film Fundraising: Insights from NYWIFT’s Winter Film Festival Panel
On a brisk February afternoon, I found the perfect escape from the cold—diving into an eye-opening discussion at the 2025 Winter Film Festival. One of the standout moments? Navigating Film Fundraising with NYWIFT, a must-attend panel for any filmmaker tackling the most daunting part of filmmaking: raising money. Leading the conversation were Easmanie Michel, NYWIFT’s Director of Artists Programs and Finance, and NYWIFT Member Joanna Rudolph, executive producer of Burning Annie and The Co-op: The Kids of Dorie Miller. Their wealth of knowledge made for a powerful session, packed with real-world success stories and actionable strategies. Marchelle Thurman summarized some key takeaways to help you fund your next film.
READ MOREMeet the New NYWIFT Member: Melody Gilbert
Welcome to our new NYWIFT member, Melody Gilbert! Melody is an Emmy-nominated and Alfred I. duPont award-winning documentary filmmaker. Over the course of her career, Melody has directed and produced 20 documentaries that have been screened at several film festivals and distributed internationally. Melody is also an educator committed to teaching new and emerging filmmakers. She has been on the faculty at several universities (including the American University in Bulgaria), teaching documentary production, multimedia, and journalism. Currently, Melody is traveling the world and spreading her love for film by teaching pitch training workshops and conducting her “Documentary Boot Camp” while working on her new documentary about the scandalous topless monokini bathing suit in 1964. The most recent documentary she helped produce, Queendom, was shortlisted for an Oscar in the feature documentary category. In our interview, Melody discusses her move from chilly Minnesota to NYC, her unconventional documentary subjects, and key lessons she shares with film students.
READ MOREMeet the New NYWIFT Member: Amanda Deering Jones
Welcome to NYWIFT, Amanda Deering Jones! Amanda Deering Jones is the director of the new short film Little Mother Lies. She is also the Producer of the Academy Award-nominated animated short film Borrowed Time. She has over 20 years of experience working with Dreamworks Animation and Blue Sky Studios and is currently at Pixar. Her career began in Cooperstown, NY, as House Manager at Glimmerglass Opera before transitioning to film. Amanda is a zero-waste advocate and a published writer for the Producer’s Guild Magazine. She is an active member of the Producers Guild of America, Women in Film, Women in Animation, a Governor of the Emmy’s Northwest Chapter Board, and now a NYWIFT member. Amanda discusses her theatrical roots, getting into animation (without drawing!), and how she creates work that elevates our thinking and highlights the complexities of being human!
READ MORENYWIFT Program Recap: “Daughters” at Hamptons Doc Fest
In December 2024, NYWIFT was proud to co-present a screening of the new documentary "Daughters" at Hamptons Doc Fest, followed by a Q&A with filmmakers Angela Patton and Natalie Rae moderated by NYWIFT CEO Cynthia Lopez. In this powerful documentary, four girls prepare to reunite with their fathers through a special dance at a DC jail in this moving documentary about the healing power of love. We offer a recap of the conversation plus a video of the Q&A to watch after you've seen the film, which is now available on Netflix.
READ MORE
Comments are closed