This week please join us in welcoming new NYWIFT Executive Director Cynthia Lopez! Cynthia will offer her top picks of NYWIFT and industry news to share with you every Tuesday.
Natural Leader: Inspirational words to kick off your 2019! NYWIFT Board Member Flo Mitchell-Brown shared her “start story” with StartTV, explaining why women make great leaders.
Sobering Statistics: The good news: In 2018, a record number of black directors (16) helmed the top-grossing 100 films, up from only six the year before, according to the “Diversity in the Director’s Chair” study from the University of Southern California Annenberg Inclusion Initiative. However, this diversity growth wasn’t intersectional – there was little if any improvement for women or other minority groups. In fact, the “Celluloid Ceiling” report from Dr. Martha Lauzen of San Diego State University showed that despite recent high-profile breakthroughs and increased media attention, the number of women directors in the top 250 films of 2018 was only 8% – down from 11% in 2017.
Regina King: During her Golden Globes acceptance speech, Regina King vowed that everything she produces will hire 50% women and she issued a challenge for everyone in every industry to do the same. It’s this type of solidarity that will bring actual change; whenever women are in positions of power, the chance of more women getting hired greatly increases.
Cynthia Lopez
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READ MOREMeet the New NYWIFT Member: Isabella Medina Sarria
Welcome to NYWIFT, Isabella Medina Sarria! Isabella is a New York–based film producer originally from Colombia, known for developing and producing internationally-recognized projects. Her award-winning short films include Delusion, which won at the Berlin Indie Film Festival and earned recognition at the LA Indie Film Festival and New York Shorts International Film Festival. She has expanded into feature films, working on Up in the Hills (starring Dylan Walsh and Paris Berelc), Tox (starring Margaret Colin), and Higher Love (starring Dennis Haysbert and Joe Pantoliano), which wrapped production in August 2025. Her work is driven by a strong creative vision, championing well-represented female characters and immigrant stories.
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