Board Buzz: Great news from several NYWIFT board members! The Tale – produced by Simone Pero – continues to rack up award nominations, including a Golden Globe nom for last year’s Muse honoree Laura Dern and a Critics Choice nom for this year’s Muse Ellen Burstyn; Annetta Marion was selected for NBC’s Alternative Directors Program inaugural all-female class; and Jamie Zelermyer was featured on Start TV this week talking about her advocacy and career as a producer. We have some powerhouse women leading our organization!
62 Writers: No more arguments about “not being able to find a black female writer.” The Hollywood Reporter took a group photo of 62 black women writers who are working in film and TV now.
Top Performers: A new study proves that movies starring women outperform male-led films at the box office. So let’s make more of them!
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Meet the New NYWIFT Member: Madeleine Rotzler
Welcome to NYWIFT, Madeleine Rotzler! Madeleine Rotzler is an Emmy® Award-winning director and producer of documentaries and narrative feature films. Fiction films include the upcoming O Horizon and O.G., currently on HBO. Non-fiction films include HBO’s Emmy-nominated It’s a Hard Truth Ain’t It, Emmy-winning Dangerous Acts Starring the Unstable Elements of Belarus, and Oscar-shortlisted The Lottery. Her most recent film, O Horizon, was described as “bound to be one of the season's sweetest charmers.” The film premiered at the Santa Barbara International Film Festival in 2025 where it won the Panavision Spirit Award for Independent Cinema. O.G., Madeleine’s narrative feature debut, and It’s a Hard Truth Ain’t It were both filmed inside a maximum-security prison in Indiana in collaboration with men incarcerated there. Most of the cast of O.G. were incarcerated. It’s a Hard Truth Ain’t It marked the first time incarcerated directors were nominated for an Emmy. In our interview, Madeleine discussed her award-winning films and her perspective on the impact of filmmaking.
READ MOREMeet the New NYWIFT Member: Samantha Herrera
Welcome to NYWIFT, Samantha Herrera! Samantha Herrera is a queer Filipina artist born and raised in Queens, NY. Her roots began in theatre with training at LaGuardia High School of Music & Art and Performing Arts, The Neighborhood Playhouse, and LAMDA. Saint Vegas is the first narrative film she has directed, written, and produced. It will internationally premiere in the Philippines hosted by Cine Balikbayan. This November, she played one of the lead roles in Diwata, directed by Shea Formanes. Aside from filmmaking, Samantha works at her alma mater - The Neighborhood Playhouse - and runs a Filipino food pop-up business with her partner. In our interview, Samantha discussed the mentors who shaped her artistry, her inspirations, and her upcoming work.
READ MOREMeet the New NYWIFT Member: Joyce Hills
Welcome to NYWIFT, Joyce Hills! Joyce Hills is a recent graduate of NYU Tisch, where she co-wrote and directed the culturally-rich epic Viking short film The Feather, featuring out-of-this-world SFX hair and makeup, practical stunts, and generative workflows on a virtual production volume. She was the First Assistant Director and VFX Supervisor on the Seed & Spark-awarded short film Night of Melancholia, interned in Virtual Production at Gum Studios in Brooklyn, and performed as Sugarsop, The Widow, and assorted household servants in Will Kempe’s Players’ The Taming of the Shrew. Joyce is developing her first feature film, a dark fantasy inspired by mystical quests, heroes’ journeys, and time and destiny in popular culture. She is also developing a science fiction feminist short, and is pursuing additional education in XR mediamaking and STEM. In our interview, she discussed her childhood inspirations, emerging technologies, and the future of storytelling.
READ MORENYWIFT Member Spotlight: Kelcey Edwards
NYWIFT Member Kelcey Edwards found her way into documentary filmmaking through Iron Gate Studios, a nonprofit gallery and artist workspace she cofounded in her early twenties in Austin, Texas. At the time, she was making small narrative films alongside many other Austin-based filmmakers involved in the “mumblecore” scene; her first film, Letter, screened at SXSW in 2006. Since cameras and equipment were always present in the gallery, she began interviewing many of the artists who visited the space. Over time, the habit of recording conversations and documenting artists’ lives became a steady part of her practice. That interest eventually led her to pursue an MFA in Documentary Film at Stanford and later to move to New York, where she continued developing their work. About a decade later, she directed The Art of Making It, a feature documentary about the art world, which won the Audience Award at SXSW in 2022. It’s currently available on most streaming platforms. Kelcey’s films have received support from the MacArthur Foundation, Sundance, and Tribeca Film Institute, among others, have been broadcast internationally, and have screened at top-tier festivals including SXSW, Berlinale, and Hamptons International. In our interview, Kelcey discussed her teaching philosophy, approach to filmmaking, and upcoming projects.
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