Board Buzz: Great news from several NYWIFT board members! The Tale – produced by Simone Pero – continues to rack up award nominations, including a Golden Globe nom for last year’s Muse honoree Laura Dern and a Critics Choice nom for this year’s Muse Ellen Burstyn; Annetta Marion was selected for NBC’s Alternative Directors Program inaugural all-female class; and Jamie Zelermyer was featured on Start TV this week talking about her advocacy and career as a producer. We have some powerhouse women leading our organization!
62 Writers: No more arguments about “not being able to find a black female writer.” The Hollywood Reporter took a group photo of 62 black women writers who are working in film and TV now.
Top Performers: A new study proves that movies starring women outperform male-led films at the box office. So let’s make more of them!
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Meet the New NYWIFT Member: Seohee Lee
Welcome to NYWIFT, Seohee Lee! Seohee is a filmmaker, content curator, and marketer working at the intersection of storytelling, cultural exchange, and audience engagement. Based in New York, she works at the Korea Creative Content Agency New York Center, where she leads international marketing strategies and content-driven programs connecting Korean creative industries with global audiences. Her work spans promotional video direction, film program curation, and large-scale cultural collaborations with institutions such as the Korean Cultural Center New York and the Consulate General of the Republic of Korea. Seohee holds an M.F.A. in Film Directing and an M.A. in Arts Management from Carnegie Mellon University. Drawing on both creative and strategic experience, she focuses on enhancing the global reach of cultural storytelling and fostering cross-border dialogue through media and programming. In our interview, Seohee Lee discusses her journey as a filmmaker and content curator, her work in international cultural programming, and the projects she hopes to explore next.
READ MORENYWIFT Member Juleyka Lantigua Brings The Lorraine to Tribeca Festival’s 25th Anniversary Celebration
For filmmaker, writer, and producer Juleyka Lantigua, storytelling has always been rooted in truth, history, and the voices too often left out of the conversation. Now, the award-winning creative and proud member of New York Women in Film & Television is bringing one of those powerful stories to the forefront as an Executive Producer and Co-Writer of The Lorraine, which will have its World Premiere during the 25th anniversary of the Tribeca Festival. Through the lens of The Lorraine, Juleyka helps illuminate the legacy of the Lorraine Motel and the Bailey family, whose impact stretched far beyond the historic events forever tied to the Memphis landmark. The documentary explores Black excellence, resilience, entrepreneurship, music history, and the enduring fight for justice during one of America’s most turbulent eras.
READ MOREMeet the New NYWIFT Member: Bonnie Gross
Welcome to NYWIFT, Bonnie Gross! Bonnie Gross is a multi-faceted filmmaker whose dynamic expertise has led to an acclaimed career in writing, producing, and post-production. She draws from personal experience and her natural aptitude for comedy writing to create narratives that are at once clever, boundary-pushing, and relatable. Her newest autobiographical film, Lady Parts – which has won numerous international awards – exemplifies her experience and talent. It is also a reflection of her mission to spread awareness for women living with vulvovaginal and pelvic pain, an experience that Bonnie personally lived through. Based in New York City, Bonnie co-owns the NYC boutique finishing house Brainwomb and has worked on numerous media projects, television shows and films.
READ MOREMeet the New NYWIFT Member: Jessica Heyman
Welcome to NYWIFT, Jessica Heyman! Jessica is the Founder and Director of Art for Film, a Brooklyn-based company that connects the art world with the film and television industry by providing high-quality, legally cleared artwork for productions. A New York City native, Jessica studied at Barnard College before pivoting from work in social justice and education to the film industry, where she recognized a gap in the market for cleared artwork in New York productions and went on to found Art for Film. Since launching the company in 2006, she has built Art for Film into a trusted resource for set decorators and creative teams, representing a diverse roster of more than 100 artists and placing artwork in thousands of films, television shows, and commercials, including Succession, Mean Girls, and Only Murders in the Building. In our interview, Jessica discussed her path in the film and art worlds, her commitment to artist advocacy, and lessons from building a women-owned business.
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