By Panayiota Pagoulatos
Realscreen Summit (RSS or Realscreen, for short) is an annual global market and conference dedicated to the business of unscripted and non-fiction entertainment in film and television. Three and a half days are filled with high-level keynotes, topical industry panels, networking events, pitch competitions, awards, and programming briefs from top buyers. This year’s summit ran from January 23 – 26, held at the JW Marriott in Austin, and featured 1,350 delegates from North America and some global territories such as South Korea, India, UK, and France, among others.
My experience attending Realscreen goes back many years and though it’s been a while (first time since before COVID—last time I will ever say this!), it certainly felt and looked different. Walking through the halls of the JW seeing new faces and meeting passionate producers with unique, diverse stories to tell was really inspiring. Because of this, the tone felt very positive and welcoming.
The conversations on stage were different as well, a reflection of the time we’re in now following a global pandemic, political unrest, and escalating police violence against communities of color.
One example of this was a panel titled “After George Floyd: The Power of Black Content in Unscripted” on progress in the industry after 2020’s racial reckoning here in the U.S. Conference organizers typically shy away from hard-hitting conversations, so this was a refreshing change of pace. Moderated by Angela Rye, the dialogue was frank while also offering very practical takeaways for executives in positions of power to take note and effect real change. The panel featured Aneka Hylton-Donelson (National Geographic Partners), Valerie Idehen (Hot Snakes Media), Donny Jackson (This Machine Filmworks), and Dane Joseph (Hulu). I encourage you to read Justin Anderson’s lengthy recap of the discussion on Realscreen’s website.
Something else I really appreciated was when RSS organizers acknowledged the event was taking place in Texas, a state that effectively banned abortion once Roe v. Wade was overturned. There is a revolving conversation about whether companies should move productions and events from states with these draconian laws on the books. It’s a complicated topic, but I appreciated the effort made to recognize the issue.
Getting back to the content, kicking off the summit was a dynamic conversation between Kathleen Finch (Chairman & Chief Content Officer of Warner Bros. Discovery’s US Networks Group) and Peter White of Deadline. Acknowledging the tumultuous year, she brought the focus back to what’s coming up, including the recently announced TLC show MILF Manor (now don’t go confusing it with that other show). She also emphasized that producers/production companies should continue to pitch them projects as each of their brands “needs 700, 800 hours a year of fresh content.” More on this in a minute.
And finally, I was able to attend Realscreen’s Women in Leadership Luncheon where I had a chance to catch up with Sunita Uchil (Chief Business Officer, International Co-Productions) from Zee Plus, a division of India’s ZEE Entertainment Enterprises Ltd., one of the largest media & entertainment companies in the world. Although she is a seasoned executive (once named by The Hollywood Reporter as one of the Most Powerful Women in Global Television), this was her first time attending RSS and I wanted her take.
Below is a brief transcript of my conversation with Sunita Uchil, (edited for clarity):
What kind of projects are you working on at Zee and who were you looking to meet at RSS?
My division focuses on co-productions and we are constantly seeking to develop our network of producers, creators & distributors. We are genre-agnostic and welcome ideas from science to history and wildlife as long as the concept has a connection/relevance to India. In an advanced stage of development we have a historical docu-drama, based on unsung warrior queens of India and a thriller anthology. We also have our soon-to-be released series The Spice Trails, a 12-part travel/lifestyle/food series spanning eight countries in South America, and Lions’ Last Roar, a premium doc analyzing the concept of hunting as a means of conservation.
As we move into a post-COVID world, how are you finding the mood in the global industry? Is it back to business as usual, in terms of international cooperation?
While the pandemic gripped us with fear, it taught us to let nature heal itself and not take it for granted. Be grateful for life. It also reinforced the fact that people are the central force of everything worth talking about. Our very first collaboration with Televisa Univision is a testament to this sentiment. The Spice Trails was under production through the pandemic period and it has turned out to be amongst our most spectacular heart-warming series ever!
What are some trends in unscripted entertainment that you wish would come back?
The landscape of unscripted entertainment is changing continuously. We have a variety of shows and formats, including studio game shows, talent shows, and social experiments, and this is set to grow even more. What I’d love to see in unscripted shows is to promote more family engagement.
On that note, it seems that despite the many changes in the industry, broadcasters of all forms and across the globe are looking for fresh stories. If you’re a producer or content creator, getting your ideas in front of the right people can be a huge roadblock (especially for us non-nepo babies). Events like Realscreen Summit put you in the same room with decision makers, a great opportunity to meet a ton of likeminded industry execs and learn a tremendous amount (a very underrated activity). Luckily, there are tons of conferences, markets, and festivals that take place year-round to choose from and maybe (I hope) I’ll see some of you there. For now, adios Austin.
Related Posts
Meet the New NYWIFT Member: Meryl Jacobs
Welcome to NYWIFT, Meryl Jacobs! Driven by a lifelong passion for the arts, Meryl Jacobs creative professional has built an inspiring career spanning advertising, Broadway stage management, and post-production as an award-winning video editor and business owner. Embracing challenges with optimism, she believes in the power of self-belief and continuous growth. After returning to New York post-pandemic, she launched her own company, Gotham Edit Inc., confident in the value she provides to clients. Among her proudest achievements are collaborations with Universal Pictures, a corporate branding reel for Tumi, and a recognized PSA for the City of Los Angeles on senior scams. Grateful for every opportunity, she remains dedicated to creating impactful work that helps others. Read on to learn more about her fascinating career!
READ MOREMeet the New NYWIFT Member: Pia Mechler
Welcome to NYWIFT, Pia Mechler! Pia Mechler, born and raised in Germany with German, Chilean, and Polish heritage, is a versatile actress, writer, and director. Studying film in Denmark and beginning her acting career in Berlin, she took her skills to the UK and then New York City in 2010, where she also took up directing. Pia wrote, directed, and starred in the web series Almost Settled and made her feature directorial debut with Everything is Wonderful, which premiered at the Thessaloniki Film Festival and was a finalist at the Chelsea Film Festival. Her latest project, Black Hole, which she wrote to address the challenges of female aging and ageism from a humorous perspective, is currently on its festival tour. Read on to discover her inspiring international background, her dedication to her projects, and her process when it comes to making films.
READ MOREHow to Decide Which Screenwriting Contests to Submit To
There are hundreds, if not thousands, of screenwriting competitions out there — so how do you decide which ones are worth your time and money? As the co-founder of Moonshot Initiative, a nonprofit that works toward gender equity in film and television, NYWIFT Member Katrina Medoff has been on the other side of the application process. Her team reads hundreds of submissions a year for the Moonshot Pilot Accelerator and their newest program, the Moonshot Feature Accelerator. They know that their applicants poured their time, talents, and energy into their scripts, and that every fellowship submission means putting more time and money into your career. So it’s important to carefully consider which labs and contests to prioritize. If you’re ready to submit your feature film screenplay or TV pilot script to screenwriting competitions, here’s how to determine which labs, fellowships, and contests would be a good fit.
READ MOREMeet the New NYWIFT Member: Val Dowd
We’re thrilled to welcome our new NYWIFT member, Val Dowd! Val is a film sales manager with a passion for highlighting underrepresented voices. Some of her career highlights thus far include doing outreach for Matthew Heineman’s documentary The First Wave and working with her team on Hulu’s The Jewel Thief. She’s very motivated by community and finding films that can open doors for people and offer fresh perspectives. Read our interview with Val to learn more about the role of a film sales manager, how she approaches selling and distributing projects, and her love for film.
READ MORE
Comments are closed