NYWIFT Blog

FOUND: Highlights from an interview with the Director Amanda Lipitz and Producer Anita Gou (Part 1)

 By Christina Kiely

 

Found is the story of Chloe, Lilly and Sadie, who were all born in China and adopted by white American families. At the age of 16, through the DNA service 23andMe, the girls learn that they are cousins. The documentary beautifully explores the complex emotions of every person involved in each of the adoptions. Found is a compassionately told story of the girls finding one another, finding their homeland, and finding themselves.

Director Amanda Lipitz and Producer Anita Gou spoke with me about the experience of making the film and the powerful and often unexpected stories that emerged in the process.

 

Still from Found (Netflix, 2021)

 

Christina Kiely: Tell me how the film came about, and about the moment you knew you had a documentary.

Amanda Lipitz: So with all of my films I start with one image that really inspires me – Chloe is my niece and my brother told me that she was having her Bat Mitzvah at The Wall in Jerusalem. And the image of my niece, surrounded by our big Jewish family… I knew I wanted to film that. Around the same time they’d discovered Chloe had a cousin. So I started to capture their stories.

 

The fact that you had one girl raised Jewish, one raised Catholic, and one raised Baptist… it seemed meant to be.

Amanda Lipitz: So many things about the film were meant to be. Even in the discovery of Liu Hao the genealogist, for example, she is such an amazing woman and she became our fourth girl, in such an amazing moment for the film.

 

Still from Found (Netflix, 2021)

 

At what point did she become that for you? Was it a surprise or were you looking for someone to fill that role?

Amanda Lipitz: Anita and I would talk about – that it would be amazing if the girls could talk to someone in China, that was a young woman who grew up during the one child policy in China and give us that perspective. It would be so great if that could happen organically. So when Liu Hao was introduced to us, all we knew was that she was from the same hometown as the girls. We did not know her story. That moment on the bridge was the first time we heard her whole story.

 

You did an incredibly sensitive job at looking at this story from all these different points of view. Being so understanding of everybody –  from the people who gave up their children, the girls, to the adoptive parents –  is that just who you are or did you have to think that through?

Amanda Lipitz: I would say that’s the type of storyteller I am, it wasn’t something I had to think through. I just wanted to tell the story of these girls. And see them come of age and see those dormant questions grow louder. As long as I stayed true to that everything else fell into place.

Anita Gou (Producer): When I first met Amanda she’d been following Chloe, Lily, and Sadie for a couple of years. I start talking to her about the story she was trying to tell through these girls, I felt this drive to explore – no matter statistics or the history, she goes for what is the human experience behind all of that. In this case, I was drawn to her desire to unpack a lot these inherent stereotypes that we’re attached to: Asian Women’s experiences, Asian American experiences or being a teenager. And there’s much more to these identities and the back-stories that we often don’t get to see. I think the girls in their journeys organically lead us to these places in the same way, with Liu Hao and the families in China did as well.

 

The other people I found so moving where the nannies. Can you tell me about how you included them and what you were expecting?

Amanda Lipitz: I’ve always been interested in the nannies. You see in that video, when Li Lan hands Chloe to my sister in-law for the first time. I looked at this woman and she had this smile on her face but there was sadness in her eyes. There were tears there. Chloe was 15 months old. She had cared for this child for 15 months. I wondered who that woman was. In the film she says, “You know we nannies are not coldhearted.” It’s just a beautiful moment. We found the most incredible group of nannies and women and they really are, as Liu Hao says, the frontline workers.

 

They were incredible and NOT coldhearted – such as the one who went to medical school to make sure the children had proper medical care and the other one who took the children home because there wasn’t enough space at the orphanage – it was incredible. And you felt that they genuinely remembered the girls?

Amanda Lipitz: You know some people feel like, how could they remember? We didn’t really think about that because the nannies wanted to remember and the girls needed to be remembered. They had all had the silent trauma and we as outsiders needed to bear witness to it – the silent trauma that they can’t always verbalize.

 

Read Part 2 of Christina’s conversation with the Found team here. 

NYWIFT presented and Industry Screening of Found, followed by a Q& with Anita Gou and Amanda Lipitz on November 9, 2021. Watch the full recording of the conversation below:

PUBLISHED BY

Christina Kiely

Christina Kiely Christina Kiely has been producing and directing documentaries for over 23 years. Most recently she wrote and produced ABC News’ first digital documentary series, A Murder On Orchard Street. Kiely also co-produced the accompanying podcast to the seven-part series. In 2004 she was nominated for an Emmy for her work on the ABC News documentary series NYPD 24/7. While at ABC she also produced for the series In the Jury Room and the weekly news magazine Primetime Mondays. Outside of ABC, Christina has produced and directed numerous programs, including the A&E Biography of Yo-Yo Ma, 12 hours of the TLC series Code Blue, the PBS weekly news magazine Rights & Wrongs: Human Rights Television, as well as various documentaries for the International Labor Organization of the United Nations, including a co-production on migrant farm workers with the PBS series NOW. She recently directed a PSA for Rebuilding Together NYC.

View all posts by Christina Kiely

1 Comment

Related Posts

Meet the New NYWIFT Member: Jennia Iordanou

Welcome to NYWIFT, Jennia Iordanou! Jennia is a New York-based entertainment attorney with a passion for storytelling and the film/TV business. Over the past several years, she’s represented actors, writers, and other creative professionals, helping them navigate talent agreements, development deals and intellectual property matters. While she’s loved advocating for creatives, her experiences have inspired her to pursue a more hands-on role in the filmmaking process. She is currently transitioning into producing, where she hopes to help develop meaningful stories and bring them to the screen. As a new member of NYWIFT, she’s excited to connect with fellow members and continue learning from this incredible community. In our interview, Jennia discusses her fascination with the film world, her love for collaborating, and her transition into becoming a producer.  

READ MORE

Meet the New NYWIFT Member: Sher Bautista

Welcome to NYWIFT, Sher Bautista! Sher Bautista grew up as a third culture kid in the Middle East and the Philippines. Her work centers on themes of identity, memory, and migration. She co-produced the award-winning feature Delia and Sammy which went on to screen at international festivals including Austin, All Lights, Ortigia, and Hanoi. She co-wrote the series The Boston: A Kitchen Musical and later directed Commune, which became a finalist at Tropfest 2015. Aside from her film projects, she is also a published author, having co-written the children’s book Tasha and Pierre. She has just completed her MFA in Film and her thesis, Tales My Father Told. In our interview, Sher discusses her leap to the film world, recent collaborations, and how her international upbringing impacted her creative work. 

READ MORE

Meet the New NYWIFT Member: Jo Addy

Welcome to NYWIFT, Jo Addy! Jo Addy is the Global Film Director for Soho House, overseeing a team of cinema programmers globally. From London to New York and now Los Angeles, Jo leverages long-lasting relationships within the film industry to collaborate with the world's most prominent studios and distributors. Jo is the host of “Lights, Camera, Breakfast,” an interview series at Soho House spotlighting women in film and entertainment. A passionate advocate for emerging talent, Jo founded and created Soho House Shorts, a global incubator providing members with the opportunity, mentorship, and platform to turn their scripts into films.

READ MORE

Meet the New NYWIFT Member: Eleanore Pienta

Welcome to NYWIFT, Eleanore Pienta! Eleanore is an award-winning screen and stage actor, comedian, dancer, and filmmaker. Pienta has carved out a niche for herself by portraying uncompromising and complex characters in films such as Sundance Award Winner Josephine, A Different Man, Soft & Quiet, and many more. Filmmaker Magazine called her role in See You Next Tuesday: “…one of the most original, indelible, infuriating and truly felt movie characters in some time, a sister to Loden’s Wanda and Rowlands’ A Woman Under The Influence.” Pienta’s directorial debut, Ada, premiered at the New York Film Festival 2018. Her second short, Master of the House, premiered at The New/Next Film Festival 2024. In our interview, Eleanore discusses her motivations for the performing arts, her inspirations, and how her collaborations with others elevate her creative work. 

READ MORE
JOIN OUR NEWSLETTER
css.php