By Christina Kiely
Found is the story of Chloe, Lilly and Sadie, who were all born in China and adopted by white American families. At the age of 16, through the DNA service 23andMe, the girls learn that they are cousins. The documentary beautifully explores the complex emotions of every person involved in each of the adoptions. Found is a compassionately told story of the girls finding one another, finding their homeland, and finding themselves.
Director Amanda Lipitz and Producer Anita Gou spoke with me about the experience of making the film and the powerful and often unexpected stories that emerged in the process.

Still from Found (Netflix, 2021)
Christina Kiely: Tell me how the film came about, and about the moment you knew you had a documentary.
Amanda Lipitz: So with all of my films I start with one image that really inspires me – Chloe is my niece and my brother told me that she was having her Bat Mitzvah at The Wall in Jerusalem. And the image of my niece, surrounded by our big Jewish family… I knew I wanted to film that. Around the same time they’d discovered Chloe had a cousin. So I started to capture their stories.
The fact that you had one girl raised Jewish, one raised Catholic, and one raised Baptist… it seemed meant to be.
Amanda Lipitz: So many things about the film were meant to be. Even in the discovery of Liu Hao the genealogist, for example, she is such an amazing woman and she became our fourth girl, in such an amazing moment for the film.

Still from Found (Netflix, 2021)
At what point did she become that for you? Was it a surprise or were you looking for someone to fill that role?
Amanda Lipitz: Anita and I would talk about – that it would be amazing if the girls could talk to someone in China, that was a young woman who grew up during the one child policy in China and give us that perspective. It would be so great if that could happen organically. So when Liu Hao was introduced to us, all we knew was that she was from the same hometown as the girls. We did not know her story. That moment on the bridge was the first time we heard her whole story.
You did an incredibly sensitive job at looking at this story from all these different points of view. Being so understanding of everybody – from the people who gave up their children, the girls, to the adoptive parents – is that just who you are or did you have to think that through?
Amanda Lipitz: I would say that’s the type of storyteller I am, it wasn’t something I had to think through. I just wanted to tell the story of these girls. And see them come of age and see those dormant questions grow louder. As long as I stayed true to that everything else fell into place.
Anita Gou (Producer): When I first met Amanda she’d been following Chloe, Lily, and Sadie for a couple of years. I start talking to her about the story she was trying to tell through these girls, I felt this drive to explore – no matter statistics or the history, she goes for what is the human experience behind all of that. In this case, I was drawn to her desire to unpack a lot these inherent stereotypes that we’re attached to: Asian Women’s experiences, Asian American experiences or being a teenager. And there’s much more to these identities and the back-stories that we often don’t get to see. I think the girls in their journeys organically lead us to these places in the same way, with Liu Hao and the families in China did as well.
The other people I found so moving where the nannies. Can you tell me about how you included them and what you were expecting?
Amanda Lipitz: I’ve always been interested in the nannies. You see in that video, when Li Lan hands Chloe to my sister in-law for the first time. I looked at this woman and she had this smile on her face but there was sadness in her eyes. There were tears there. Chloe was 15 months old. She had cared for this child for 15 months. I wondered who that woman was. In the film she says, “You know we nannies are not coldhearted.” It’s just a beautiful moment. We found the most incredible group of nannies and women and they really are, as Liu Hao says, the frontline workers.
They were incredible and NOT coldhearted – such as the one who went to medical school to make sure the children had proper medical care and the other one who took the children home because there wasn’t enough space at the orphanage – it was incredible. And you felt that they genuinely remembered the girls?
Amanda Lipitz: You know some people feel like, how could they remember? We didn’t really think about that because the nannies wanted to remember and the girls needed to be remembered. They had all had the silent trauma and we as outsiders needed to bear witness to it – the silent trauma that they can’t always verbalize.
Read Part 2 of Christina’s conversation with the Found team here.
NYWIFT presented and Industry Screening of Found, followed by a Q& with Anita Gou and Amanda Lipitz on November 9, 2021. Watch the full recording of the conversation below:
Related Posts
Meet the New NYWIFT Member: Christina Brennan
Welcome to NYWIFT, Christina Brennan! Christina is a New York–based filmmaker whose work explores the emotional complexity of young womanhood through bold, conversation-driven storytelling. She is particularly drawn to dystopian, psychological thriller, and comedy genres, often blending tension and humor. As a recent graduate, she made her directorial debut with the short film Dear Nora, which won first place at AGBO’s No Sleep ’Til Film Festival—marking an exciting start to her creative career. In addition to her work behind the camera, Christina is the founder of Onore Films, a community dedicated to supporting and connecting young women in film through collaboration and shared resources. With experience across multiple areas of production, she approaches filmmaking as both a creative practice and a way to foster meaningful connection. In our interview, Christina discussed her journey into filmmaking, the inspiration behind Dear Nora, and her passion for building community among emerging women in film.
READ MOREMeet the New NYWIFT Member: Anna Bick Rowe
Welcome to NYWIFT, Anna Bick Rowe! Anna is an Emmy Award-winning producer and Head of Production at Smartypants Pictures, an Academy Award-winning production company based in Brooklyn. She thrives on being “multilingual” within the industry, seamlessly navigating between commercial, nonprofit, and documentary projects. Anna has worked on a wide range of high-profile projects, including serving as Executive Producer alongside Nobel Peace Prize Laureate Malala Yousafzai on Stranger at the Gate, which was nominated for an Academy Award in 2023. In addition to her documentary work, Anna has produced content for brands such as Adidas, Delta Air Lines, The Lincoln Motor Company, Macy’s, Snapchat, Cadillac, Indeed, Cooper Tires, and Ford Motor Company, as well as films for dozens for nonprofits. In our interview, Anna shared her journey into producing, what working on the Oscar-winning documentary All the Empty Rooms meant to her, and her approach to social impact storytelling.
READ MOREMeet the New NYWIFT Member: Karen “Dr.K” Baptiste
Welcome to NYWIFT, Karen "Dr.K" Baptiste! Karen "Dr. K" Baptiste is an investigative journalist and media storyteller whose work explores the intersections of race, education, and the criminal legal system. She is an Emmy® award-winning filmmaker of the documentary Preschool to Prison, and also works as a speaker, leadership wellness coach, and organizational strategist. Her work centers lived experience, elevating voices that are often overlooked while connecting personal narratives to broader systems of accountability. Dr. K brings a rigorous, human-centered approach to storytelling that is grounded in care, amplification, and long-term generational impact. Originally from the Bronx, she collaborates with mission-driven organizations, creatives, and community leaders across the country to support storytelling and leadership practices that foster meaningful change.
READ MOREMeet the New NYWIFT Member: Kash Blagrove
Welcome to NYWIFT, Kash Blagrove! Kash is a New York City–based producer with a background in advertising and a strong commitment to authenticity, diversity, and inclusion in media. Over the past decade, she has produced campaigns for major brands including eBay, European Wax Center, Peloton, and the WNBA, working across projects ranging from small-scale productions to multi-million-dollar campaigns. As a champion of body positivity, Kash brings a thoughtful perspective to her work, advocating for greater representation both in front of and behind the camera. Her work on the WNBA’s Line ’Em Up campaign earned multiple honors at the 2025 Clio Sports Awards, reflecting the real impact the project had beyond the screen. In our interview, Kash discussed her journey into producing, her commitment to inclusive storytelling, and the projects she’s excited to bring to life next.
READ MORE
Christina Kiely has been producing and directing documentaries for over 23 years. Most recently she wrote and produced ABC News’ first digital documentary series, A Murder On Orchard Street. Kiely also co-produced the accompanying podcast to the seven-part series. In 2004 she was nominated for an Emmy for her work on the ABC News documentary series NYPD 24/7. While at ABC she also produced for the series In the Jury Room and the weekly news magazine Primetime Mondays. Outside of ABC, Christina has produced and directed numerous programs, including the A&E Biography of Yo-Yo Ma, 12 hours of the TLC series Code Blue, the PBS weekly news magazine Rights & Wrongs: Human Rights Television, as well as various documentaries for the International Labor Organization of the United Nations, including a co-production on migrant farm workers with the PBS series NOW. She recently directed a PSA for Rebuilding Together NYC.
1 Comment