NYWIFT Blog

Helping a Mentee Spread Her Wings

By Heidi Philipsen

I’ve been a producer of creative content for about twenty years. And as a Women in Film & Television activist and member of several chapters, both Stateside in New York (NYWIFT and UPWIFT, the chapter I founded in upstate New York) and abroad in Germany I’ve also mentored many other women looking to break into film.

Each and every individual whom I’ve mentored has been special—and I’m proud of them all in what they have achieved; however, one mentee and her achievement in particular stands out for me. Her name is Sophie Meissner and her achievement is a short film called, Keep Your Head Up, Sweet Pea!

On June 26th at 4 p.m. Keep Your Head Up, Sweet Pea! – a film about a 14-year-old teen who learns to trust in her own inner joy and be fierce after facing challenges as the outsider at her new school in Germany – is set to screen live at the Queens Theater as a part of the official Queens World Film Festival program entitled, “What’s So Hard About Growing Up?”

There are many coming-of-age films about female teens’ experiences in the independent film world these days.  Many of them, though intent on telling a narrative about the female experience and perspective, are directed by adults. What makes Keep Your Head Up, Sweet Pea! unique is that it was written, directed, acted and its music composed by a teen and based upon her own, personal experience, providing the opportunity for us all to see the world directly, unabashedly through her eyes.

In other words, Sophie is an emerging woman in film, learning to own her creative space, identity and story, early on.

Sophie Meissner wrote Keep Your Head Up, Sweet Pea! at the age of 14 after moving from Michigan to Germany.  The “new kid” in a foreign school, where even the language felt raw, Sophie took to writing in her native tongue, English, to express herself in a safe space.

 “I needed an outlet to convey how I was feeling about everything:  Being the new kid at school, not fitting in a foreign country where I couldn’t speak the language (even my American accent brought on teasing), and dealing with a lot of painful stuff,” Sophie, now 16, recalls.

This is where I came in and decided to mentor Sophie in making a short film.

Sophie brought a short scene to me one day and said she had scribbled it out during her German high school chemistry class. I read it and was immediately drawn to the clarity of the piece’s voice and narrative:  A teenager, not yet a woman, but also no longer a girl, was trying to sort out her place in life for herself and not be placed in a corner by the rest of the world around her.

A representative for the Hamburg Chapter of Women in Film & Television, Germany, I reached out to some of my fellow board members and asked them if they would be willing to mentor Sophie in her time of need. But I had one caveat:  Sophie could go to them for guidance, but she had to do the work herself. Junafilm Producer Verena Graft-Hofe, Actress Sandra Quadflieg and Film Composer Gudrun Lehmann agreed and set about showing Sophie the nuts and bolts of their specific areas of profession.

Meanwhile, fellow NYWIFT member and colleague, Isabella Olaguera, a respected filmmaker and 1st A.D. in the N.Y.C. indie and commercial film industry, stopped over in Hamburg on her way back from Sweden to the States. She and Sophie walked through all the locations and prepared for production.

All of these amazing film professionals came together to lift Sophie up and empower her to create a short film narrative.

D.P. Jonathan D’Ambrosio, Editor Robert Falkenberg, Color Correctionist Frank Schumacher and Brett Portzer of White Lake Music and Sound Post of Albany, New York, mentored Sophie in post.  And each and every time, Sophie was empowered to make the decisions.

Sophie called the shots in her own narrative, and this made all the difference in her personal development as well.  Little by little, Sophie grew in confidence, strength and courage.

Keep Your Head Up, Sweet Pea! has had an impressive run at film festivals around the world and won many awards.  Unfortunately, Covid-19 and the pandemic forced us to stay indoors, preventing Sophie from experiencing the thrill of a live screening with fellow filmmakers and audience members.

Sophie applied to the Queens World Film Festival because she was impressed by their mission and theme for this year, which focuses on Hope, Healing, Opportunities, Promote and Equity—all themes which inspired Sophie to write her film. Founded in 2010 and nurtured into existence by Queens residents/filmmakers Don and Katha Cato, the Queens World Film Festival marks the first live theatrical exhibition of Sophie’s first short film; I couldn’t be more excited for her—and proud. 

I, too, grew from the experience of mentoring Sophie as a filmmaker. Giving her the tools and confidence to speak her voice showed me that empowering women to make movies is about so much more than storytelling; it’s about validation and handing women the tools to carve out their own niche.  If we care about what women have to say and support their narratives, we demonstrate that they truly have a respected place in our communities.

I’ve fought, like the thousands of women before me, for equal rights and am now convinced, more than ever, that empowering women in filmmaking early on is one of the many roads to getting there. And lifting others up doesn’t mean that you give away your own opportunities. If anything, it stabilizes the foundation for a united front.

Sophie and I are looking forward to attending the screening of Keep Your Head Up, Sweet Pea! together and we can’t wait to feel the energy of the audience around us. Above all, I hope for Sophie that she sees what a beacon of hope she has provided for teens who, like herself, have faced challenging times.

Women, like me, also need to see that our activism is making a difference. I know that I meant the world to me to experience Sophie’s first film being embraced, first, by fellow professionals in the industry and, second, by audiences around the world.  I can see that we are all, collectively, changing the landscape for our future daughters.

And Sophie? Well, she actually IS my daughter. And I couldn’t be happier that she is on her way to finding her voice and having it be heard.

 

Keep Your Head Up, Sweet Pea! was produced by Heidi Philipsen and is a Personae Entertainment Pictures production. www.personaeentertainmentpictures.com

Instagram/Facebook/Twitter: @films_personae

Info about Queens World Film Festival can be found at:

https://queensworldfilmfestival.org/films/keep-your-head-up-sweet-pea/

 

Tickets to the LIVE screening of Sophie Meissner’s short, Keep Your Head Up, Sweet Pea! can be purchased online here:

 https://www.brownpapertickets.com/event/5142026

Instagram: @Queensworldfilm

Facebook: www.facebook.com/queensworldfilmfestival

Twitter: @Queensworldfilm

PUBLISHED BY

Heidi Philipsen

Heidi Philipsen Heidi Elizabeth Philipsen-Meissner is a producer, writer, actress & director with 20 years of professional experience in international film, television and communications. Follow her on Twitter at @heidiphilipsen.

View all posts by Heidi Philipsen

Comments are closed

Related Posts

Meet the New NYWIFT Member: Chicava Roslyn Tate

Welcome to NYWIFT, Chicava Roslyn Tate! Chicava is a burlesque artist, actor, producer, and leading scholar of Black women in burlesque. For more than 15 years, she served as Creative Producer of New York City's Brown Girls Burlesque, developing political and theatrical shows across the United States and internationally. She holds an MFA from Goddard College, where her studies focused on Black burlesque herstory, Taoism, and sacred sexuality. Chicava’s work spans performance, film, and scholarship, including directing The Skin I’m In, co-writing and directing Becoming Betty Page, and developing the docu-series Black Bombshells, which explores the history and cultural legacy of Black women in burlesque and pinup. As an actor, she has appeared in Chock Full Till Empty, Nicole Franklin’s Title VII, and Spike Lee’s film She Hate Me. In our interview, Chicava reflected on her creative journey, the overlooked history of Black women in burlesque, and the projects she is developing to preserve and celebrate this cultural legacy.

READ MORE

Meet the New NYWIFT Member: Rachel Fleit

Welcome to NYWIFT, Rachel Fleit! Rachel is a writer, director, and producer known for her intimate, character-driven storytelling across documentary and narrative film and television. With a background in fashion and business, Rachel brings both creative sensitivity and an entrepreneurial mindset to her work, balancing artistic vision with thoughtful leadership. Rachel directed the acclaimed documentary Introducing, Selma Blair and has helmed projects including Bama Rush and Sugar Babies, each reflecting her commitment to emotional honesty and layered storytelling. Her latest award-winning documentary, The Slightest Touch—which follows the extraordinary friendship between Emma Fogarty, who lives with epidermolysis bullosa, and actor Colin Farrell—has been acquired by HBO Documentary Films and is slated to premiere later this year on HBO Max. In our interview, she reflected on building trust with her subjects, navigating personal and cultural storytelling, and the creative directions she’s most excited to explore next.

READ MORE

Meet the New NYWIFT Member: Alyssa Lomuscio

Welcome to NYWIFT, Alyssa Lomuscio! Alyssa Lomuscio is a TV editor, story producer, and assistant director based in NYC. Her work as a story producer has earned her two Daytime Emmy award nominations in the Outstanding Lifestyle Program category. She is also a science fiction writer of short stories, novels and screenplays under the pen name A.M. Lomuscio. A 2019 Clarion writer’s workshop alum, her short fiction can be found in Apex magazine and Uncharted. In our interview, Alyssa discussed her time balancing being an AD and a writer and shared stories of working in TV. 

READ MORE

Meet the New NYWIFT Member: Aurora Caruso

Welcome to NYWIFT, Aurora Caruso! Italian-Belgian artist and former journalist and production assistant Aurora Caruso works with video to explore the relationship between reality and art. After several years in the Italian film industry, she is currently studying Communication and Art & Design at John Cabot University, an American university in Rome. Driven by her passion for cinema, she moved to New York to continue her studies at The New School and has just returned to Italy after a semester there, with the goal of finding work in the United States. She aims to become a director, and her work is shaped by innovation, curiosity, and critical thinking.

READ MORE
JOIN OUR NEWSLETTER
css.php