Our Friday column asks our members about their favorite tool, software, article of clothing, shoes on set, favorite scriptwriting software, etc.
Kristin Reiber Harris – Artist, Animator, and Educator
By Katie Chambers
NYWIFT Member Kristin Reiber Harris is an artist, animator and educator with a passion for sharing the treasures and insights of the natural world. During her 30 year career she has created over 100 educational animated shorts. Her interstitials have been broadcast on HBO Family and HBO Latino and her films have been screened in film festival all over the country. Her latest film is CityBIRDS, about finding friends when you move. In addition to teaching and creating animation for children and families, Kristin provides animation workshops to help students learn to animate their own experiences in nature.
She’s currently in production on the animated short CityTREES and NatureNuggets, educational resources to accompany her Anim8Nature series of short films.
Kristin shared with us what’s in her animation toolkit, and how she’s staying centered while sheltering in place during COVID-19.
What’s the number one tool you need while animating?
My number 1A tool as an artist and animator is my ability to be observant and appreciate what I see, especially in the natural world. When I am teaching kids how to animate, I always start the workshop with this question; what does to animate mean? To animate is to bring to life. So the ability to appreciate how things move and express their aliveness is my number one tool.
My number 1B tool is a pencil and notebook for drawing. Like all artists, I have notebooks to write and draw my ideas as I am conceptualizing and storyboarding. I love working with a mechanical pencil and even have a favorite one of those.
Favorite snack to stay nourished while working?
My favorite snack in roasted unsalted almonds. Trader Joe’s are the best.
What is your personal mantra / words to live by?
I am a huge fan of LaoTzu (500BCE) and the concept of ancient knowledge. I read his teachings every day and find solace in such ideas as, “Take joy in the work and service that comes to you,” “simply be aware of the ones of things,” and “take time to listen to what is said without words.” (Hua Hu Ching, translated by Brian Walker)
What is an app or tech item you cannot live without?
AfterEffects (AE) and Procreate. I have worked with AE for over 25 years and still feel like I have barely scratched the surface of what it can do. I have a particular style of collage animation I have developed over the years that works well with AE. I became an animator to make my art move in the 90’s when it was possible for small studios to purchase the hardware/software to do it. Procreate is a relatively new app and I use it for most of the artwork I am animating these days. It’s a fabulous tool that facilitates great flexibility and experimentation. I recommend it very highly if you have an iPad Pro and an Apple pencil.
How are you staying calm and centered during the current COVID-19 crisis?
I have walked or biked regularly every afternoon for last 40 years. I live in a part of Brooklyn where it is relatively easy to social distance and get to parks. I am out frequently for two hours a day. I have loved being outside since I was a small child. My mother has an entry in my baby book about me as a toddler standing at the front door waiting to be let out. Bless her, she let me out carefully noting she was watching from the window. It was a different world then. No one would let a two-year-old outside alone these days.
What’s your favorite movie or series you watched recently and why?
I just watched Devil at the Crossroads, A Robert Johnson Story on Netflix. I am a huge fan of the blues, especially the tradition coming from the Delta region. Blues is my music genre of choice and I certainly knew about Robert Johnson but I am learning a lot more. What makes this documentary especially memorable for me is the very effective use of animation in the storytelling. The animation is very stark black & white and fills in details of the story that can’t be conveyed in old photos or talking heads.
Watch Kristin’s latest project:
in url
We recently interviewed Kristin, along with animator Carrie Hawks, on the NYWIFT Women Crush Wednesday’s podcast. Listen in:
Learn more about Kristin Reiber Harris:
Related Posts
How to Decide Which Screenwriting Contests to Submit To
There are hundreds, if not thousands, of screenwriting competitions out there — so how do you decide which ones are worth your time and money? As the co-founder of Moonshot Initiative, a nonprofit that works toward gender equity in film and television, NYWIFT Member Katrina Medoff has been on the other side of the application process. Her team reads hundreds of submissions a year for the Moonshot Pilot Accelerator and their newest program, the Moonshot Feature Accelerator. They know that their applicants poured their time, talents, and energy into their scripts, and that every fellowship submission means putting more time and money into your career. So it’s important to carefully consider which labs and contests to prioritize. If you’re ready to submit your feature film screenplay or TV pilot script to screenwriting competitions, here’s how to determine which labs, fellowships, and contests would be a good fit.
READ MORE6 Tips for Hooking a Reader in the First Pages of Your Pilot
The first pages of your pilot need to be solid — as in, a representation of your very best work — and they need to establish us in the world succinctly. Last year, NYWIFT Member and WWFC Co-Founder Katrina Medoff read hundreds of pilot scripts submitted for Women’s Weekend Film Challenge’s inaugural pilot accelerator, and she saw some general themes emerge for how to make the opening of your pilot stand out. Read on for her six tips, and learn how to apply to the next WWFC pilot accelerator.
READ MORE5 Exercises for Strengthening Your Pilot Script’s Cold Open
The first scenes of your pilot need to capture the reader’s attention, because you never know how far a busy Hollywood exec (or their assistant) will read before losing interest. You need to introduce your characters and story, show off your writing skills, and give the reader something they haven’t seen before — it’s a lot of pressure! Women’s Weekend Film Challenge Co-Founder NYWIFT Member Katrina Medoff offers some exercises to make those crucial first pages shine.
READ MOREMichele Remsen’s First Feature Film Defies the Odds
Great ideas, even when plentiful, can have a short shelf life when confronted with sobering realities. But NYWIFT Michele Remsen knows how to persevere. As co-star, producer, director, and screenwriter of an anti-romantic comedy that defies expectations, Michele was the force that made it happen: in 12 days, on a shoestring budget.
READ MORE
Comments are closed