By Gaudys Laxury
The New York International Fringe Festival is presenting Honour: Confessions of a Mumbai Courtesan during its 20th anniversary from August 12-28, 2016 at the WOW Café Theatre. In this dark tale, Honour offers an emotional take of survival, pride, and the pursuit of truth in Indian brothels written and performed by theatre artist and NYWIFT member Dipti Mehta.
The one-woman show tells the story of the life of a young courtesan in the Mumbai pleasure district as she floats through her inner desires to escape or succumb to her ill-fated destiny. Mehta plays not only Rani, the courtesan, but also the wide variety of characters she interacts with: Chameli, the mother; Laal, the Shyam; the pimp; Pandit, the priest; Mina, the Eunuch; and Draupadi, the princess from the Indian epic Mahabharata. Mehta’s performance is amazing — she beautifully embodies each role while masterfully intertwining character performance with rhythmic dance combinations.
Dipti Mehta as Rani, the Daughter (photo by Gaudys Laxury)
The set is simple yet inviting, a chair with two pillows—less is more, which allows the audience to focus on the storyline and development of each character.
It would have been helpful to have a description on the program outlining the characters, but between Mehta’s interpretations and the background narration it is manageable enough to follow. The audience stays engaged throughout the entire show, laughing at the comedic moments and remaining quiet during the poignant parts. Mehta makes her incredibly controlled performance appear spontaneous and effortless, while fully and crisply embodying the characters.
Throughout each of the stories, movement and powerful music captivate the audience. One cannot help but visualize the struggles Rani, Chameli and Mina have endured and ponder how in real life most of the women involved in similar situations do not have a choice about their occupation.
![Photo 2[1] copy.jpg](https://i0.wp.com/www.nywift.org/wp-content/uploads/2016/08/photo-21-copy.jpg?resize=477%2C469&ssl=1)
The introduction of Mehta as Rani (photo by Gaudys Laxury)
Each story is skillfully crafted and connected, and Mehta gracefully transitions from one character to the other. She is phenomenal in her theatrical interpretation of the main character, Rani, who learned the tricks of the trade in order to entice potential clients, but is not allowed to pursue her sexuality for her own fulfillment. The depiction of the complexities between the mother and daughter is deeply moving. Mehta is particularly hilarious as Mina (the Eunuch) and gives the priest spiritual dignity with her deceptively gentle but comedic manner.
Honour stirs many emotions — alternately fun, sad, touching, comedic, and entertaining — while bringing light to a serious subject matter in modern society: sex trade and the women involved.
Honour is playing at the WOW Café Theatre (59-61 East 4th Street, 4th Floor, New York, NY 10003).
There are two shows remaining:
Friday, August 26th at 2:00 p.m.
Saturday, August 27th at 5:00 p.m.
Tickets are available at FringeNYC.org.
Related Posts
NYWIFT Member Spotlight: Kristen Golden
Kristen Golden is a writer and producer whose creative work runs the gamut of genres. She wrote the screenplay AWE, for which she won the 2023 Athena Film Festival’s Chinonye Chukwu Emerging Writer Award, and was selected as a 2025 Screenplay Semi-finalist by the Cordillera International Film Festival. Kristen is a producer of the narrative short film Irving Berlin’s View of the East River, shot in Spring 2025. She is the co-author with her wife, Barbara Findlen, of the book Remarkable Women of the Twentieth Century: 100 Portraits of Achievement. Kristen is the speechwriter for the Women's Media Center. In our interview, Kristen discussed her award-winning screenplay AWE, the connection between advocacy and storytelling, and her advice for future female leaders.
READ MOREMeet the New NYWIFT Member: Tenzin Sedon
Welcome to NYWIFT, Tenzin Sedon! Tenzin Sedon is a Tibetan filmmaker from Tibet, and an MFA candidate in the Graduate Film Program at NYU Tisch School of the Arts. Her work spans narrative, documentary, and experimental forms. She has received numerous awards, including the Hot Docs Best Canadian Short Documentary and the Golden Mountain Award, and has been nominated for the Hot Docs CrossCurrents Doc Fund (CCDF) and Docs Port Incheon. She is a recipient of the 2025 Ang Lee Scholarship. Her films have screened internationally and been exhibited at major institutions.
READ MOREMeet The New NYWIFT Member: Wendy Rubin
Wendy is a financial executive, media veteran, and creator of Fintimacy: A Women's Guide to Financial Freedom. After two decades in entertainment, finance, and private equity, she's on a mission to help women break free from shame and step into financial power. Her work translates the intimidating language of wealth into smart, clear tools for real life, blending strategic rigor with empathy, humor, and real-world insight. She's also an endurance athlete who has completed 10 New York City marathons to date. Wendy told us about her journey from the Midwest to becoming a fractional CFO in media and entertainment, her passion for empowering women through financial literacy, and her exciting upcoming book and podcast series.
READ MOREMeet the New NYWIFT Member: Sen-I Yu
Welcome to NYWIFT, Sen-I Yu! Sen-I Yu is a New York-based, award-winning filmmaker originally from Taiwan. Her feature directorial debut My Heavenly City garnered international recognition, including a NETPAC Award nomination at the 43rd Hawaii International Film Festival, Best Picture and IndiePix Vision Award at the 2025 Winter Film Festival, among others. The film secured worldwide theatrical distribution in 2023 throughout Taiwan, Hong Kong, with limited releases in North America and the UK. The Guardian called it a “fresh, thoughtful take on immigrant experience, Sen-I Yu’s sympathetic and humane film traces three loosely woven stories of people dealing with loneliness in New York City…” In our interview, she discusses her debut feature, how her immigrant experience influences her creative process, and the types of stories that inspire her.
READ MORE